Category Archives: Review

Review Reblog – Bethan Kellough ~ Aven

“Job may have rued the futility of chasing the wind, but at least in one sense, this sound artist has managed to capture it. (Richard Allen)”
Exactly.

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Tone54_frontAven refers to that which is hidden, yet still is heard: underground shafts through which air reaches the surface.  Fascinated by Iceland’s natural geothermal activity, Bethan Kellough recorded the subterranean rumbles and upper-level hisses, and augmented them with wind recordings made in Iceland and South Africa.  Only the very trained ear will be able to distinguish the difference between South African wind and Icelandic wind (Savannah bush, strands of straw), but neither identification nor deception is her intention.  This soundscape is inspired by the very nature of sound.

While field recordings are the lead story, the artist also plays violin.  Her gentle strings allow her to shape the soundscape into a personal reflection.  What do you hear in these sounds? she asks without words.  What drama can be heard in rising rumbles and twists of wind?  To escape through a shaft from an underground cave is to act out a myth…

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Review Reblog – Teasips – A Closer Listen

Please allow me to introduce you to the cleansing, evocative music of Teasips (Angela Frances Wilson; she’s also one half of Electric Sound Bath). Enveloped in a sightless fog, these slow moving songs rise up and out of wide, cold lakes, at first bubbling to the surface and then leaving behind a line of gentle ripples, like […]

via Teasips ~ Proxemic Realms — a closer listen

Review Reblog – Elizabeth Veldon – Three songs for a stillborn youth — Yeah I Know It Sucks

artist: Elizabeth Veldon title:three songs for a stillborn youth keywords: experimental avant garde electronic noise United Kingdom Elizabeth Veldon brings with her ‘three songs for a stillborn youth’ two main instruments into the recording range: a piano and ‘silence’. The compositions features lots and lots of the ‘silence’ but also has the carefully timed piano […]

via Elizabeth Veldon – Three songs for a stillborn youth — Yeah I Know It Sucks

Todays Discovery/ Review Reblog -Marielle V Jakobsons ~ Glass Canyon

Here’s my Todays Discovery – the artist Marielle V Jakobsons and I’m not going to add anything to this except listen…

 

…and read..

 

 

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Quick – how many solo synth and violin artists can you name?  If you came up with more than three, we salute you.  We last encountered Marielle V Jakobsons as the “J” in EJS, whose album was included in our winter recommendations; but here she presents a new sound for a new season.  Glass Canyon is even different from her last solo outing, Ore (recorded as Darwinsbitch), in that her abstractions have grown more accessible.  This is not to say that these tracks are friendly, how-do-you-do handshakers, but that the album as a whole declares, “Your efforts to understand me will be rewarded within a reasonable span.”

The mood of these six pieces is reflective without being mournful; they betray a deep concentration, an attention to craft.  Synth and violin are not natural partners, but Jakobsons fits them together like soulmates on an internet dating site.  “From…

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Review Reblog – Various Artists – Sobre Cintas — Yeah I Know It Sucks

artist: Various title: Sobre Cintas keywords: argentina experimental experiemental improvisation jazz and improvised music noise Argentine label: Adaptador Records “Sobre Cintas is an eclectic compilation of audio files where the only line that links each selected audio is the use of the magnetic recording as sound recording mode. // “ – I have no idea […]

via Various Artists – Sobre Cintas — Yeah I Know It Sucks

 

Last week the focus was Latin American artists, so this follows on . This is a diverse collection of electroacoustic, jazz, noise, tape and experimental utilising magnetic recording.

Here is a piece by Alma Laprida to demonstrate –

Vectors of Vektroid and Vaporwave

If you are interested in finding out more about Ramona Andra Xavier aka Vektroid this is a great article.

Review Reblog -Album of the Day: Siddiq & Vektroid, “Midnight Run” — Bandcamp Daily

On the surface, rap and vaporwave make strange bedfellows. Dig deeper, though, and similarities start to emerge: both genres are concerned with image and illusion—often obscuring the uglier side of life behind a facade of materialism. That’s one of the primary concerns of the groundbreaking Midnight Run, the long-awaited collaboration between vaporwave-pioneer Vektroid and Houston […]

via Album of the Day: Siddiq & Vektroid, “Midnight Run” — Bandcamp Daily

Review Reblog – various artists – A Documentary of Women in Experimental Music

Courtesy to YIKIS for the reblog : )

 

PS – There was an interesting note added by C-Drik at Syrphe – Recommend you check these out too.

Hi,

Thanks for this but not at all about women across the world, it’s very Western-centred. Here is a compilation of women in experimental music from South East and East Asia : https://syrphe.bandcamp.com/album/art-of-the-muses and another one (only available on CD) including women from Egypt who compose experimental music : https://www.discogs.com/Various-%D9%85%D9%88%D8%B3%D9%8A%D9%82%D9%89-%D8%AA%D8%AC%D8%B1%D9%8A%D8%A8%D9%8A%D8%A9-%D9%84%D9%81%D9%86%D8%A7%D9%86%D8%A7%D8%AA-%D9%85%D8%B5%D8%B1%D9%8A%D8%A7%D8%AA-Egyptian-Females-Experimental-Music-/release/4968572

kainobuko's avatarYeah I Know It Sucks

a1855101665_16
artists: various
title: A Documentary of Women in Experimental Music
keywords: experimental experimental electronic hip hop lobit noise noise step women New York
label: Philosophy Records

“A Documentary of Women in Experimental music is a collection of noise and weird sounds from women across the world. From Sweden to England, from New York to Hungary– reflects just how widespread and varied experimental music and noise is. Come enter our world and get to know the ladies of noise.”

–mascara

Anastasia Vronski starts this compilation with a work titled ‘A Doc of Women in Experimental Music’. In it you will be greeted with a warm alien voice that talks probably about this doc of women in experimental music. It functions as a nice introduction.

Then Anastasia Vronski expands her contribution to this compilation by providing a very interesting track named ‘Expander’. I don’t know what it is that I’m hearing in…

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Review Reblog – The Unfathomless Series: Flavien Gillié and Vanessa Rosetto

Vanessa Rosetto – “intense and fragile beauty”…
Courtesy to A Closer Listen for the reblog.

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FlavienThe Unfathomless Series continues to be the best ongoing series in the field recording industry, as proven by new entries from  Flavien Gillié and Vanessa Rossetto.  The sounds are always intriguing and the unified presentation ~ featuring art by Daniel Crokaert ~ contributes a memorable visual identity.

They paved paradise and put up a parking lot.  These lyrics, penned decades past, lamented the destruction of nature for commerce.  But what happened next?   Flavien Gillié attempts to answer this question with the single-track Nonante-neuf fragments harenois (roughly translated 99 fragments of sound from Haren).  This Brussels community became industrialized, but then the industry left: factories razed, airport deserted.  While walking through the ruins of this area, one can sense the sedimentary weight of history, which no longer seems like progress.  And yet its future is already written: a new “mega prison” will soon open, and the local gardens…

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Today’s Discovery – Miss Cutter

Looking through the myriad of reviews that I have to catch up on I came across Miss Cutter via YIKIS. The review of Four – Dimensional Dance Floor  intrigued me by the title and you can read the review here .I know very little about this artist except she is from Buenos Aires and a brief comment that poorly translates as –   I am not an artist,  I am only weeping.

I like to listen to other releases if I can and came across her lo fi Baroque album which is Todays Discovery, which retains the original source music but with added other worldliness.