Source: DD DAY on TOUR
Further Information here –
Screening of the award-winning documentary The Delian Mode by Kara Blake
Source: DD DAY on TOUR
Further Information here –
Screening of the award-winning documentary The Delian Mode by Kara Blake
Here is the next in the occasional reblogs from ATTACK / DECAY and fits in with the Delia Derbyshire Day update. Ah Kismet!
I’ve written about this topic before, and it is one that I will keep returning to. Over the past year, as part of my explorations of the Bristol music scene, I have been to a lot of gigs and club nights. One thing that is impossible to ignore is the under-representation of women, particularly when it comes to audiences for and producers of electronic music. While it isn’t always the case, I have been to nights and stood amongst crowds that have been ninety per cent male. This trend is also reflected in wider narratives about electronic music and its origins, in which the contributions of women are often forgotten or marginalised.
This is not going unnoticed in Bristol. I’ve previously mentioned Saffron Records, who are doing much to promote the work of young female musicians in the city. Similarly, The World is Listening, a Bristol-based podcast, celebrates…
View original post 390 more words
Sometimes it takes a little while to get around to checking sites out but I get there in the end and this one is a recent discovery, some great reviews that I hope to reblog here, beginning with this one…
Everything you wanted to know about Furchick courtesy of Yeah I Know it Sucks.

Woof Woof!
^ KN (your interviewer) at the dog park
KN: Hello and welcome dear readers, as you can see I’m at a Dog Park. I came here with my dogs not just to play, but to actually meet one of the people who run this place (the director is Trevor who happens to be a dog) …
I say people, but it’s probably better to say her real name; Furchick! She is a music and sound maker of the experimental order, making sounds in particular ways with a ton of creativity and a bucket full of ‘don’t give a fucks’. Well I’m not so sure about Furchick not giving fucks, but that’s why we have arranged this interview… To get to know a bit of the real Furchick, or simply just have a nice conversation going on.. If that’s possible between all the dogs running and barking that is……
View original post 3,385 more words
Some of you will know how I’ve championed this album in the past and so I’m glad to be able to reblog this here : ))
Courtesy to Obscure Music Daily.

Through The Looking Glass is an album by Midori Takada that was released in 1983 on the label RCA. This album is ambient.
This album has some of my favorite ambient tracks on it. Beautiful serene melodies, slow warm drones, birds, windchimes, spastic xylophone(?) loops, and so on. The album utilizes lots of traditional and non-electronic instruments which gives it an awesome sound. Lots of wood winds and various minimalist percussions creating beautiful ambiances perfect for laying in a field on some alien planet watching the clouds. Half of the tracks are more serene and some are more tribal, especially with the final track “Catastrophe Σ” which is tribal ambient (a subgenre that focuses on rhythmic drumming instead of melodies) . My favorite tracks are the first, Mr. Henri Rousseau’s Dream, and the third, Trompe-L’oeil; the more serene / calm / melody driven ones.
Listen to it here
Radio Art and New Media in Radio Studies: An Interview with Magz Hall – Pt 1 by Brian Fauteux on January 15, 2016 in Radio Scholarship, Radio Survivor Academic Series
“In the first part of this two-part interview, Dr. Hall explains how her research is closely connected to a variety of experimental and artistic projects in the field of radio art. By engaging with radio as a flexible, fluid, and accessible medium, Dr. Hall highlights the ways in which radio can engage with communities and inspire cutting-edge research and arts-based practices.” Read part 1 of the interview at this link
http://www.radiosurvivor.com/2016/01/15/35118/

Something challenging and expect the unexpected from Agnes Pe and Raisa Maudit.
Courtesy to Yeah I Know it Sucks for this review.

Artist: SPACE GIRLS
title: say you’ll be jodido
keywords: 40latino, devotional, kemetic, devotional, music, distorted ,fanatic, fancy, fancy pop fantasy music, humalien, jodido, pop, pornotube ,Madrid
Catchy, courageous, happy, outrageous and mentally intriguing, with a big hand pulling out rabbits from the mad hatters hat full of ideas; this is some fine crazy shit! It’s as if pop had taken a deep dive into a bathtub full of liquid speed, neatly absorbed through the poppy diva skin and now became fruitfully alive in all its finest insanity.
And you know what? It’s a perfect case of a production that puts the ‘super’ back in Supercalifragilisticexpialidocious!
There is singing, there is dancing and it’s adrenaline rush and worth the nervous breakdown of pure entertainment! Raw and spectacular! After this you’ll be glad to change your name into Jodido; so better start practicing, and tune in:
https://spacegirrls.bandcamp.com/track/say-youll-be-jodido
<KN>
Haircut at the piano: Southbank Centre Performance
Public Performance Southbank Centre
After an open call to Iranians living in the Middle East, North African and South Asia – five emerging experimental musicians and artists were selected for a two week residency in the UK. In collaboration with Southbank Centre (Europe’s largest performing arts venue), London College of Communication (the only Sound Art Department in the University of London), and Resonance104.4FM – UK’s art-music radio station, Six Pillars created a two weeks residency that involved, intense workshops on everything from releasing music to creating visuals and social media for musicians.
The residency was part-tutored by the legendary Keith Rowe, who is “to guitar what Pollock was to the canvas” of the avant-garde band AMM, and culminated in a performance at Southbank Centre with the MA sound-art students of LCC. For more info check out #IranUKSonics on social media
Read my article on Tree Radio for “Reflections on Process in Sound” as a PDF
Reflections_on_Process4_2015-MH
The whole issue can be found here
http://www.reflections-on-process-in-sound.net/issue-4/
– Chris Weaver considers the development of Variations for Rooms and a Tone during a collaborative residency with Fari Bradley in Dubai, United Arab Emirates;
– SoundFjord‘s Helen Frosi and Stephan Barrett muse about their collaborative project Postcards from the Volcano;
– Melbourne based Catherine Clover gives us an example of her species-spanning listening practice;
– Salomé Voegelin and David Mollin explore their writing practice via the transcript of a talk for Nietzsche, Cyclists and Mushrooms at the Kunstraum Riehen in Switzerland;
– Magz Hall introduces,Tree Radio, an out-door installation at Yorkshire Sculpture Park.
New collective release
free-download
available from 9th January
Electronicgirls celebrate their 6th birthday with a new collective release: Pleiadi. Participants have been asked to submit a 6 minutes piece composed by following the Instruction for the Realization by Johann Merrich. Each track can be heard individually or in a collective track format: Pleiadum Constellatio, a single body of sound made by the sum of each piece inspired by the works of Galileo, Cage and Stockhausen.
Pleiadi can be downloaded for free from 09.01.16.
On 9th January, electronicgirls will introduce this special release with a concert for electronic orchestra + dance performance by Marianna Andrigo, a solo show by the composer Patrizia Mattioli and a dj set by LECRI.
View original post 25 more words
You must be logged in to post a comment.