Category Archives: Introducing

Review Reblog – Agnès Pe ‬- Para Ana (music video)‬

I came across Agnes Pe via Yeah I Know it Sucks some time ago and have followed her avant garde, witty and experimental work ever since.
“Wasn’t that a marvellous experience?”
Yes….and recommended too are her radio sound collages – Mitt Pate : )

kainobuko's avatarYeah I Know It Sucks

Artist: ‪Agnès Pe ‬
Title: ‪Para Ana (music video)‬
‪Keywords:‬ devotional faux-utopian ambience devotional distorted e-stim malfunction muzak muzak-stun Lleida

It doesn’t happen everyday when two intriguing artists collaborate in a audio visual form, but when the odd moons align and such a special thing actually happens it’s for sure something to inform everyone about! Especially when the artists in question are ‪Agnès Pe & Jan Strach. The result is a spectacular experience in the shape of a excellent trip in music video form. Jan Strach heard ‘Para Ana’ by Agnès Pe and must have been incredibly inspired as the good man started to create the perfect visuals to the sounds. ‬

‪With his love for video games and the excellent trained ears for the bizarreness in the music spectrum, Jan Strach managed to make the track come alive. It’s a real trip, one that is best viewed…

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Today’s Discovery – Okoloreki by Wetwe Feat. Tatyana Kalmykova

 

“This release is full of mystical atmosphere, ambient sounds and Russian folk chants and instruments such as gudok and balalaika. This EP is also contained a works of Tatyana Kalmykova who reshape electronic with her wonderful voice and gudok performance.” 

 

Thanks to Yeah I Know it Sucks for the discovery of this beautiful release.

Review Reblog – Wetwe Feat. Tatyana Kalmykova – Okoloreki

It’s been a strange few weeks and I haven’t been able to keep up with things here but I’m kicking myself that I missed this…It is a wondrous thing to listen to…

kainobuko's avatarYeah I Know It Sucks

Artist: Wetwe Feat. Tatyana Kalmykova
Title: Okoloreki
Keywords: electronic experimental abstract ambient bass music downtempo drone folk modern classical russian folklor techno Moscow

I don’t know much about this music as I evidently avoided all the information that came with it as it appeared through our illustrious request form, but from my own ears and mind I could make up that this was a bit of a holistic revelation in sound ways. It was a calming one, that featured the prominent voice of a certain Tatyana Kalmykova that seemed to sing among the walls of ruins, or perhaps a still standing church with great acoustics. Sometimes her voice gets bounced into a room in which it still feels warm, yet the acoustics feel flat, a bit as if the bigness gets suddenly beamed through some old time radio.

But it’s not all about Tatyana Kalmykova’s voice, it’s also pretty much…

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Review Reblog – Izabela Dłużyk ~ Soundscapes of spring — A Closer Listen

Izabela Dłużyk’s Soundscapes of summer was A Closer Listen‘s favorite soundscape of 2016, and her latest album is just as remarkable. For this release, the artist has turned the dial back to spring, and we’re hoping (reasonably so) that the project will eventually become a quadriptych. The sounds here are as clear as any we’ve ever heard; […]

via Izabela Dłużyk ~ Soundscapes of spring — a closer listen

 

A thing of beauty is a joy forever….

 

 

Reblog – Electric Elizabeth – FutureConeB

Today’s Discovery….

kainobuko's avatarYeah I Know It Sucks

Artist: Electric Elizabeth
Title: FutureConeB
Keywords: experimental, noise, video

Electric Elizabeth’s description of one of her actual music videos online sounds way simpler than what it deserves. She wrote “Some slowed down footage of water with one of my tracks over the top.” Of course that’s what it is, literally speaking, but imaginative speaking there is so much more to it. First of all the ‘one of her tracks’ that she added to the visual video is one that fits the water footage so extremely well, so much so that it might even be a bit frightening in how good it fits.

It’s like every bit of water flow, every wrinkle on top and in it is attached to the sounds generated by her track. It is as if the water knows exactly when to move and is triggered by her sounds, or that Electric Elizabeth had made the track…

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Some Weekend Reading……

Pioneering Italian Women in Electronic Music

September 15, 2017
By Johann Merrich


 

maddalena fagandini

Radiophonic Ladies by Jo Hutton on Sonic Arts Network


 

Pioneering Canadian Women In Electronic Music

September 29, 2016
By Robyn Fadden


 

Early Electronic Music in Québec: A Brief History

October 4, 2016
By Roger Tellier Craig


 

Friday Focus – Emancypacja dźwiękiem / Sound Emancipation

Sound Emancipation

 

Emancypacja dźwiękiem / Sound Emancipation – workshops, DJ-ing, introductory talks about women in music + concerts/parties, founded by DJ Morgiana in Poznań, PL.

 

https://www.facebook.com/soundemancipation/

https://emancypacja-dzwiekiem.tumblr.com/

 

 

 

Review Reblog – Eva Bowan – Ringwoodite

kainobuko's avatarYeah I Know It Sucks

Artist: Eva Bowan

Title: Ringwoodite

Keywords: electronic ambient ambient electronic experimental electronic Brighton

Let me introduce you to this wonderful album by Eva Bowan; maybe you heard it already and maybe you didn’t, but I’m over the moon to share it here with you. It had been keeping me companionship in difficult times & thought you might experience comfort or joy within these tracks too. On before hand, please excuse me if this write up / review thing sounds a bit too serious; it’s just that kind of thing… it’s important to me & feel it deserves to be treated with the same respect as it had been treating me in it’s comforting & empowering audio ways…

It started with one piece named “Regression To The Mean”, which comes across as a mysterious sounding recording, one in which a intense magically sounding vocal immediately puts a spell on the listener…

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Today’s Discovery – Ghost on the Stairs – Meemo Comma

 

Meemo Comma is the new alias of Objects Limited boss Lara Rix-Martin. She previously released as Lux E Tenebris and as one half of the duo Heterotic (on Planet Mu). Her label Objects Limited issues a variety of electronic music from an exclusively women and non-binary roster.

‘Ghost on the Stairs’ explores how Lara Rix-Martin perceives sounds, as she has Auditory Processing Disorder. APD mostly affects how a person processes speech internally; background noises merge with language and every background sound has equal relevancy making it hard for an APD listener to understand voices, music and disentangling multiple audio sources.

Merging speech and voice into a strange and alien form has always been the core of  Lara Rix-Martin’s sound, but it’s given a stronger focus on this album. Incorporating similar meditative influences to her ‘Cyclizine’ EP; drones feature with a maximal/minimal all-encasing feeling that flickers between comforting numbness and anxiety. Tracks such as ‘Caturday’ and ‘Online Persona’ explore rhythms in the spaces in between the beats. “I’ve always found it interesting to think of rhythms in a negative way, what beats aren’t there, the spaces between”.

Released September 1, 2017

The album is also included on the Bandcamp Daily weekly roundup of essential releases –

This Week’s Essential Releases: Saharan Guitar, Somber Electronics, and Nerd Rap

 

Review Reblog – Dendera Bloodbath – Inanna at the Gates

I’m a great believer in giving lesser well known artists a bit of a spotlight and many I find via Yeah I Know it Sucks.
Today’s Discovery, Dendera Bloodbath’s Inanna at the Gates is an experimentation in visceral noise.
Currently she performs both experimental darkwave sets with autoharp and noise sets with electronics of her own design. For more info, visit: http://www.denderabloodbath.com

kainobuko's avatarYeah I Know It Sucks


Artist: Dendera Bloodbath
Title: Inanna at the Gates
Keywords: experimental female artist noise music usaworld Finland
Label: United By Chaoshttp://www.unitedbychaos.net/
Artist Website: http://www.denderabloodbath.com/

At first Dendera Bloodbath squeaks her ultimate power sounds in your ear like it’s a metal chainsaw going in full (but precise) overdrive! It feels like your head had been split in two, leaving it exposed for her other (more reasonable?) sounds-to-come,material that she will spill into your skull like a liquid brutal attack of Experimental origin. It’s all for the sake of science and experiment! How far can Dendera Bloodbath go? And what will drive you over the edge or please your ears tremendously? This artist seems to seek both extremities and wants to apply them both at the same time! Is that a pretentious project? It might be, but listening to her release it seems like this experiment works in full force!

She pours…

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