Category Archives: Articles

Reblog – Kaitlyn Aurelia Smith Finds Her Inner “Kid” — Bandcamp Daily

 

 

The composer talks with us about music’s place in her personal ecosystem and tracing a coming to awareness with synthesizers.

via Kaitlyn Aurelia Smith Finds Her Inner “Kid” — Bandcamp Daily

Some Weekend Reading……

Pioneering Italian Women in Electronic Music

September 15, 2017
By Johann Merrich


 

maddalena fagandini

Radiophonic Ladies by Jo Hutton on Sonic Arts Network


 

Pioneering Canadian Women In Electronic Music

September 29, 2016
By Robyn Fadden


 

Early Electronic Music in Québec: A Brief History

October 4, 2016
By Roger Tellier Craig


 

Review Reblog – On the reissue of Maggi Payne’s Crystal by Aguirre — The Hum Blog

 

“For decades, Maggi Payne has quietly lingered in the realms of avant-garde and experiential music, laying influence just out of view.” 

via on the reissue of maggi payne’s crystal by aguirre — The Hum Blog

 

 

Reblog – Pioneer Spirits: New media representations of women in electronic music history

Laura Zattra's avatarlaura zattra

“Pioneer Spirits: New media representations of women in electronic music history” is a new important article by Frances Morgan in the current issue of Organised Sound, Vol. 22, Issue 2 (Alternative Histories of Electroacoustic Music) August 2017, pp. 238-249.

Teresa Rampazzi is numbered amongst those composers previously “either ignored or thought to be marginal […]. Some media representations of the female electronic musician raise concerns for feminist scholars of electronic music history. Following the work of Tara Rodgers, Sally MacArthur and others, [Frances Morgan considers] some new media representations of electronic music’s female ‘pioneers’, situate them in relation to both feminist musicology and media studies, and propose readings from digital humanities that might be used to examine and critique them”.

You can read the complete abstract here.

Frances Morgan is Deputy Editor of The Wire, former editor of plan b magazine, writes the Soundings column for Sight & Sound…

View original post 32 more words

Article Reblog – How Oakland’s Experimental Music Scene Became Queerer, Browner, and More Femme

Article Reblog – Pauline Oliveros – Listening | Juno Plus

Some people just make a massive impression on the world ….

joannakalinowska's avatarjo kali

po_v1Pauline Oliveros muses on sixty years of experimentation and unorthodox practice and tells Jo Kali why we should be listening instead of merely hearing.

“First I listen,” Pauline Oliveros says. “When I perform now, with my accordion, there’s no score. There’s no thought about what I’m going to do. I come onto the stage and I just listen.” There’s a welcoming quality to Oliveros; her voice is soothing and her features warmly lit by slivers of sunlight escaping her drawn blinds. “Then I begin to play and I follow what it is I am playing,” she continues, “because it is my whole body that’s engaged in making the music. It’s not just centred in what I might think about it. It’s really what I do about it.”

Oliveros’ approach to music is slightly unconventional. As a composer, performer and teacher, she’s not interested in the final piece or her students reading…

View original post 1,728 more words

Article Reblog – Beyond the Grandiose and the Seductive: Marie Thompson on Noise

guestlistener's avatarSounding Out!

Dr. Marie Thompson is currently a Lecturer at the Lincoln School of Film and Media, University of Lincoln. Her new book Beyond Unwanted Sound: Noise, Affect and Aesthetic Moralism has just been published by Bloomsbury. We’ve been following each other on Twitter for a while(@DrMarieThompson and @AbstractTruth)  and I have become very interested in her ideas on noise. I’m David Menestres, double bassist, writer, radio host, and leader of the Polyorchard ensemble (“a vital and wonderfully vexing force of the area’s sonic fringes”) currently living in the Piedmont region of North Carolina.

Cover of “Beyond Unwanted Sound Noise, Affect and Aesthetic Moralism,” By Dr. Marie Thompson

In her new book, Dr. Thompson covers a wide variety of ideas from Spinoza to Michel Serres’s cybernetic theory, acoustic ecology and the politics of silence to the transgressiveness of noise music, and many other concepts to show…

View original post 2,179 more words

International Women’s Week

beboldforchange-iwd2017-achievementb

Although it is International Women’s Day on Wednesday 8th, March, I’m posting up as much as I can this week on all platforms, to celebrate the achievements of electronic music creators.

 

Here are a few articles to start, that may be of interest –

 

Listening as Activism: The “Sonic Meditations” of Pauline Oliveros

Pauline Oliveros said that her meditations had a goal of “expanded consciousness” and “humanitarian purposes; specifically healing.”

 

40 Years Of Women In Electronic Music

eliane-radigue

 

How Daphne Oram’s radical turntable experiments were brought to life after 70 years

daphne oram

Femme Electronic: Uganda’s Platform for Female DJs and Electronic Music Producers.

femme-electronic

 

 

The Voice of Moving Meditation – An Interview with Meredith Monk

meredith-monk

A Couple of Interesting Reads…

A Performance Artist Makes Space for Silence in an Oversaturated World

Ahead of her performance there, Meredith Monk gave a lecture at the University of Michigan outlining her approach to performance as an opportunity to break out of our chaotic visual culture.

 

A Floating Noise and Drag Club Celebrates San Francisco’s Lost Underground

We were about to embark on Attention! We’ve moved., a night of noise music and drag performance on the ocean concocted by Oakland artist Constance Hockaday and San Francisco experimental art space The Lab, in conjunction with — and conceived as a subtle resistance to — the first Untitled art fair in San Francisco.

Both articles from and by Hyperallergic

 

Today’s Discovery – Talugung / _blank split release

Released January 13, 2017

“Experimental bedroom recordings. Dislocation, noise, home dubs, lofi, outsider, psychogeographical minimalism”

 

Interview on Power Moves Label –

A split disc from two anomalous, constantly working, compelling artists.

Ryan Waldron, who records as Talugung and lives in Hamilton, glides the first four pieces through intricate trial-and-error fascinated with microtonal and limiting scale-work, mesmerized and ultimately shaping entire hypnotic and repeating sound-worlds around treated timbre and wooden sustain. Adventurous and meditative, a deep approach to unwinding natural pulse and natural acoustic emulation.

Blanca Rego, who records as _blank and lives in Barcelona, finishes the album with a long-form curious piece of abstracted reinterpreted field recording, both data-bent and new-art cumulative, turning found sound ideas into stretched-out puffs of smoke, blurred from original presentation and flipped into static one-note-like hanging clouds. They pass by overhead but brush against us and vibrate like breezes from heavy swinging bells pushing their musical imprint of fine air and movement.

Five questions to both artists – please read on.