All posts by Feminatronic

I am an electronic musician who, as someone recently said to me, set up Feminatronic to act as "soft PR" for female electronic artists from all genres and styles. If I can give a little helping hand then why not?

Today’s Discovery –

I’ve been thinking for a while about these posts. What do I mean by Today’s Discovery?

I don’t want to come across all knowing because I am not.

When I post my Today’s Discovery’s they are releases or artists that I just happen to stumble across and I like what I hear. It’s a personal choice and not an expectation that everyone will like my choices.

Like everything on Feminatronic, it’s just a small way to try and show how much is being created in a multitude of ways….and it never ceases to amaze me.

 

So Today’s Discovery is this split release of experimental noise –

 

Side A – Jelena Glazova –
Rīga based artist and poet Jelena Glazova has been producing music since 2010 and regularly performing live since 2012, playing many different festivals including Sound around Kaliningrad, Noise and Fury, Poetronica (Russia), Vilnius Noise Week (Lithuania), Skaņu Mežs (Latvia), Art’s Birthday (Sweden) and Vienna Art Week (Austria), and resided as a guest composer at EMS Stockholm and WORM Rotterdam.
www.facebook.com/JelenaGlazovaArtist/
www.jelena-glazova.com

Side B – Marta SmiLga
Marta SmiLga is the project of Līga Smirnova, a Rīga based musician who lives for electronic music. Using her collection of modular synths and electronic instruments she generates deep and immersive cosmic soundscapes that drag you into their gravitational field, like matter to a black hole. Although a newcomer to the Rīga scene she has already participated in a number of shows around the city and also the Zyklon Mannaz festival. This is her debut release.
www.facebook.com/Marta.SmiLga.Music/

released May 31, 2017

 

Reblog – Re-orienting Sound Studies’ Aural Fixation: Christine Sun Kim’s “Subjective Loudness”

 

Recommended reading and challenging the idea that listening is just with the ear, it does demand use of all senses.

Sarah Mayberry Scott's avatarSounding Out!

Editors’ note: As an interdisciplinary field, sound studies is unique in its scope—under its purview we find the science of acoustics, cultural representation through the auditory, and, to perhaps mis-paraphrase Donna Haraway, emergent ontologies. Not only are we able to see how sound impacts the physical world, but how that impact plays out in bodies and cultural tropes. Most importantly, we are able to imagine new ways of describing, adapting, and revising the aural into aspirant, liberatory ontologies. The essays in this series all aim to push what we know a bit, to question our own knowledges and see where we might be headed. In this series, co-edited by Airek Beauchamp and Jennifer Stoever you will find new takes on sound and embodiment, cultural expression, and what it means to hear. –AB

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A stage full of opera performers stands, silent, looking eager and exhilarated, matching their expressions to the…

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Review Reblog – Various Artists ~ The Exquisite Corpse

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postrockcafe's avatara closer listen

Let’s start with Leah Kardos’ “Little Phase”, from Bigo & Twigetti’s Summer compilation of last year. Press play ~ and then we’ll play a game.

The game is called the exquisite corpse.  Most of us played it with paper in primary school, as seen to the right.  I remember playing it during recess and later in detention.  But there’s a twist to this version: it’s played with music.  Using “Little Phase” as a starting point, the music was passed artist to artist through the rosters of Bigo & Twigetti and Moderna Records until it became something entirely different.  The process began last October and concluded this April.  Because the original files were available, the game was also influenced by another ~ telephone.  The last piece, Tim Linghas’ “At the End All Is Black”, bears echoes of the original, yet demonstrates how far the game has progressed.

So what happens…

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Review Reblog – Jane Weaver, “Modern Kosmology”

 

I was lucky enough to see Jane Weaver when she toured her last release The Silver Globe and bathed in the sonic psychedelic synths, a sound that resonates with the past but is still of today and melodic too, which is an art in itself : )

Friday Focus – Women Produce Music

WPM

Changing the Narrative

 

music | production | tech talk | songs | electronic | analogue | digital | in & out the box | studio space | events | stats | research | biz | education

Twitter – https://twitter.com/WPM_org

Facebook – https://www.facebook.com/WomenProduceMusic

Today’s Discovery – Paper Moon by Anda Volley

 

Released June 1, 2017

tags: alternative, dark ambient, dream pop,  electro gothic, indie rock, Boston.

 

Reblog – We Need No Swords podcast episode 24: Andie Brown

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Today’s Discovery – Lego 10 Evas

 

A diverse and eclectic collection of 16 Latin American artists creating experimental electronic, voice and chiptune tracks. ‎

Friday Focus – Polyphones

Polyphones

“Polyphones is a space of visibility created for women in the field of sonic and musical experimentation. This is a network born out of the reality of the Parisian scene with national and international offshoots…. Polyphones aims to promote an artistic practice, through concrete actions, such as, organising concerts, events, workshops, skill sharing, pooling resources and promoting independant labels and micro­publications.
Polyphones is present locally and virtually and manifests itself as a regular fixture in different contexts and proposals.”

Also on Mixcloud

Reblog – a meeting of remarkable minds, a live radio discussion between annea lockwood and pauline oliveros from december 1972