All posts by Feminatronic

I am an electronic musician who, as someone recently said to me, set up Feminatronic to act as "soft PR" for female electronic artists from all genres and styles. If I can give a little helping hand then why not?

Listening to…

Classical

Reblog – Apophenia by Ale Hop

 

 

 

 

TJ Norris's avatar

Ale Hop | Apophenia
Buh Records (LP/DL)

Ale Hop (Alejandra Cardenas) is a Peruvian composer, based in Berlin and Apophenia (her sophomore effort after 2017’s Bodiless) is my second-look introduction to her work. Much of what Cardenas brings to the table are intriguing a/v eye of the mind processed through video and performance. What comes through as strictly audio should, in fact, be the soundtrack (or motto) for what we always strive to capture at Toneshift, a pure experimental spirit that abridges many genres and by-passes many more, in temporal vignettes that are 100% exploratory and fearless.



There are gentle, fleeting passages to Augury (as seen above) which starts these eight tracks with a heck of a moody ground. The percussion is sparse and spacey at times, the springing, bending effects play atop a near black backdrop, like counting stars. This is not a drone record, but manages to…

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Listening to…

Experimental, noise, various artists from around the world


 

pyr279 heavy lifting – thanks for watching

Lucy Cheesman aka heavy lifting – live coded music


 

12 weightless techno trax from the bog, the abyss and many other unique zones……..

Electronic, abstract, ambient, experimental, hardcore, house, nightcore, outsider house, techno

Review – Various Artists – Noise Bombing – Local Time | Green

kainobuko's avatarYeah I Know It Sucks

Artists: various
Title: Local Time | Green by Noise Bombing
Keywords: experimental noise Indonesia
Label: Noise Bombing

Are you ready to have your imagination stimulated by a diverse group of artists that knows exactly how to pickle your senses through sound and music? All willing to take you into multiple adventures, escapades and unknown sceneries normally reserved for real life adventurers? Well, this is your chance as this compilation is dropping you off in multiple settings that you probably did not think to be finding yourself in!

It all starts with SARANA who comes at us like a low lying tiger that reaches slowly but surely towards its prey. In this case this must be us; clearly completely unaware with whatever it is that awaits when SARANA strikes. With the slippery ease of a snake and the industrialism of a mechanic on a respective job this comes closer and closer…

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Reblog – The Burning sessions — Christine Webster

An eagle with two heads : Camille Escudero Cinetics /// Christine Webster Modular synthesis A tryptich /// brûlures aux cendres apaisées, conçues et rêvées /// 1 2 3 ///

via The Burning sessions — Christine Webster

Review Reblog – Shadow of a Shadow by Cyanching —

Shadow of a Shadow by Cyanching
By TJ Norris – Toneshift – August 10, 2019

 

Cyanching | Shadow of a ShadowBezirk Tapes (CS/DL) From London-based Taiwanese composer Cyanching comes an ear-catching debut. Her work, at least at first, comes off subtle with a shroud of harmony slowly emerging from a quiet space. Perhaps Shadow of a Shadow is the sonoric equivalent to mise en abîme, as it transmits what sound […]

via Shadow of a Shadow by Cyanching —

 

” “I try to redefine sampling,” she explains. “If I like a sound, I don’t just record it, I try to recreate it. If I love a bassline on a track for example, I try to play it myself and capture the qualities that attract me. By doing that you create a new sound within an old pattern.”

Reblog – Teresa Rampazzi’s voice and her unique piece “Taras” — laura zattra

Curious to hear what Teresa Rampazzi’s (1914-2001) voice sounded like? This is a unique opportunity. This audio track I’ve uploaded on SoundCloud is part of a radio programme aired in 1985 “Le nuove frontiere della musica” (New frontiers of music; director: Tonino Delfino). Rampazzi and Delfino are discussing her piece “Taras su tre dimensioni”. The […]

via Teresa Rampazzi’s voice and her unique piece “Taras” — laura zattra


Here are a few links that you may be interested in courtesy of Laura Zattra –

laura zattra
music – sound – musicology


Teresa Rampazzi Website

Image result for teresa rampazzi

 


Teresa Rampazzi

Teresa Rampazzi Facebook Page 


Short stories of electronic music #2 | A music perfectly edible: photography by Teresa Rampazzi by by Johann Merrich


 

Listening to…

Electronic, experimental, industrial, noise

” an exploration of her own vulnerability through varying degrees of noise, vocal migrations, and orchestral composition. “

#Rolemodels – Lena Platonos

Lena Platonos is a Greek musician, pianist and composer and pioneer of Greek electronic and art music. She took a leading role in the electronic music scene in the 1980s, while her work constituted an inspiration for Greek electronic musicians in the subsequent decades. (Wikipedia)

Lena Platonos2.jpg


Lena Platonos and the secret sound of Greek electronica

Thanks to reissues by labels like Dark Entries and Into The Light Records, this electronic pioneer is reaching new audiences. Sarah Souli tells her story.

Wonderful overview here on Resident Advisor


Released in 1984, ‘Μάσκες Ηλίου’ (‘Sun Masks’) was Lena Platonos’ first record to feature her own words and vocals… “I began to reverse my thought process, to let melodies fade out, to turn to minimalism, to experiment on my Yamaha C60 synthesizer and a variety of “boxes” which I used to change the sound of my voice as well as the sound of the synthesizer” says Lena. The album featured experiments with different sounds and a new batch of electronic equipment, such as the legendary Roland TR 808 drum machine.


Lena Platonos – Shadow Of Blood



The album is made exclusively using analog synthesizers and heavily features the iconic Roland TR-808 drum machine. Lena narrates each song, reciting her own surreal Greek poetry with unique skill.

 

Everything recommended : )

Reblog – Mohrer – Guilt of Man — Yeah I Know It Sucks

Artist: Mohrer Title: Guilt of Man Keywords: experimental ambient dark ambient noise occult seattle vocal vocal noise London Label: Dubbed Tapes The seductive sound of the unknown has coming out from under the gravel. As attractive as it was sounding to my ears I had to go in and check it all out. There I […]

via Mohrer – Guilt of Man — Yeah I Know It Suck

 

Re listening to –

Experimental, ambient, dark ambient, noise, occult, vocal

“…improvised and intuitive exploration of Humanity Realizing Itself as we come to terms with the nature of our species on the Earth.”