All posts by Feminatronic

I am an electronic musician who, as someone recently said to me, set up Feminatronic to act as "soft PR" for female electronic artists from all genres and styles. If I can give a little helping hand then why not?

SUNDAY MIX – FORESTS

This weeks Sunday Mix is loosely based on the REVEIL / Soundcamp / Dawn Chorus this weekend (03/05/15) and has the theme Forests

Let us go now into the forest.
Trees will pass by your face,
and I will stop and offer you to them,
but they cannot bend down.
The night watches over its creatures,
except for the pine trees that never change:
the old wounded springs that spring
blessed gum, eternal afternoons.
If they could, the trees would lift you
and carry you from valley to valley,
and you would pass from arm to arm,
a child running
from father to father.

Pine Forest by Gabriela Mistral

“The forest is a peculiar organism of unlimited kindness and benevolence that makes no demands for its sustenance and extends generously the products of its life and activity; it affords protection to all beings.
–   Buddhist Sutra 

“In some mysterious way woods have never seemed to me to be static things.  In physical terms, I move through them; yet in metaphysical ones, they seem to move through me.”
–   John Fowles   

362

Today courtesy of The Field Reporter I am revisiting this release by Cathy Lane.

Studio guest: Liz Helman

Missed this but I have checked and you can still listen to the show on NTS and here is the link for FRACTAL MEAT ON A SPONGY BONE http://www.ntsradio.co.uk/shows/fractalmeat/

Graham Dunning's avatarFractal Meat

Liz-helman

Studio guest on Friday 20th MArch will be Liz Helman: tune into NTS from 8am to 10am.

Liz Helman is a London-based artist and independent curator working across different media, including photography, video and sound. Manipulating her own recorded and found sound, she constructs atmospheric sound pieces, and in all her time-based media works, she explores the psychological and emotional attachment to place and dwelling. Journeying between recollection and reality, she challenges format driven orthodoxies, fragmenting and layering image and sound to consider the experience of dislocation and displacement.

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NOTES FROM THE TWITTERSPHERE

Here are some of the tweets relevant to the African and Asian Season on Feminatronic. I will be posting more in the coming weeks.

AN EAR SPLITTING CRY – SOUNDING OUT ARTICLE

Whilst looking around the web for interesting articles that may fit in with the season on African and Asian Electronic artists, I found this about ululation or Zaghareet, which I found very interesting and nothing to do with electronic music : D

sob

http://soundstudiesblog.com/2013/05/13/zaghareet/

LUME On Tour 26th May – 16th June

TODAYS’ DISCOVERY – UNII

UNII

TODAYS’ DISCOVERY – SYRPHE WEBSITE AND LITTER

The Syrphe site is a treasure trove of wonderful electronic and experimental music and soundscapes from mainly Africa and Asia and was spotlighted by @reaktorplayer on Twitter. I thought that I would take some time this month and through May, to discover for myself and bring you some gems of female artists that are producing creative electronic music from these areas of the world, beginning with Litter aka Elyse Tabet  an audio-visual artist based in Beirut, Lebanon. As Syrphe says – “In her first album, omnipresent is the image of a machine running out of power while passing through a stream of hazy, often almost melodic sonic landscapes.”

Strië ~ Struktura

Courtesy of A Closer Listen who pointed me towards this artists’ work.

postrockcafe's avatara closer listen

ProunThe third album from the enigmatic Strië (Iden Reinhart) is a lesson in abstraction: an impressionistic set inspired by abstract art, swaths of sound built upon whispers.  On this album, Reinhart travels farther down the path she set out upon in Sléptis and fine-tuned in Õhtul.  Signposts are still present: a series of beats here, an intense crackle there.  And yet, the artist known for her public shyness (despite orchestra tours, only a half-photo seems to exist) continues to disappear, dragging her instruments slowly into the void.  The beauty of the set is its chimeric nature; the songs shimmer and shift beneath the ear.  The danger is that Strië seems intent on becoming an abstraction herself: a smudged memory, an elusive impression, a series of images scattered in the sun.  We fear that one day the artist will fade like fog, molecules made invisible by the heat, leaving only a faint…

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