Review Reblog – Gaël Segalen ~ Memoir of My Manor

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After 2o years of sound work and field recording, Gaël Segalen finally released her first LP.  2016’s L’Ange Le Sage was melodic and abrasive in equal quantities. Memoir of My Manor continues in this vein, adding a new, nearly club-like sensibility.  The Parisian artist calls her compositions “danceable field recording”, but the first album only hinted at the dance floor, while the second flaunts this facet before drawing back to the shadows.  This is appropriate for an album inspired by monsters, although the creature on the cover doesn’t seem all that scary.

The thirteen-minute “Remember” pulses and broods, while failing to give an indication of the artist’s rough edges.  Instead, it operates as a dangerous mirror to Giorgio Moroder’s “The Chase”, inviting listeners to run rather than dance.  When additional synths enter, the track takes on a near-industrial sheen.  It’s a bold opening gambit, daring listeners to stick around for…

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Reblog – Pioneer Spirits: New media representations of women in electronic music history

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“Pioneer Spirits: New media representations of women in electronic music history” is a new important article by Frances Morgan in the current issue of Organised Sound, Vol. 22, Issue 2 (Alternative Histories of Electroacoustic Music) August 2017, pp. 238-249.

Teresa Rampazzi is numbered amongst those composers previously “either ignored or thought to be marginal […]. Some media representations of the female electronic musician raise concerns for feminist scholars of electronic music history. Following the work of Tara Rodgers, Sally MacArthur and others, [Frances Morgan considers] some new media representations of electronic music’s female ‘pioneers’, situate them in relation to both feminist musicology and media studies, and propose readings from digital humanities that might be used to examine and critique them”.

You can read the complete abstract here.

Frances Morgan is Deputy Editor of The Wire, former editor of plan b magazine, writes the Soundings column for Sight & Sound…

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Reblog – LCNL 085: Your Grace Adrianna Natalie presents Another Side

…and not so quiet start to the week but has led to my Today’s Discovery – The Unseen Shadows (ALRN069)
by Your Grace Adrianna Natalie

 

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Over the years we’ve featured several mixes from the Alrealon Musique. This mix comes courtesy of Your Grace Adrianna Natalie, the most recent artist to join the label. Her debut EP The Unseen Shadows was released last November, showcasing her penchant for unconventional techno and dark moods. This mix weaves her own tracks in with kindred spirits (Regis, Dasha Rush, and Orphx), fellow New Yorkers (Chanski), sacred ancestors (Throbbing Gristle) and more. (Joseph Sannicandro)

Download/listen at Soundcloud (at least for now…)

MINI-INTERVIEW

Please introduce yourself.

I was born and raised in New York, in The Bronx.

I am currently living in Jersey City, but spend most of my time in NYC for work and Brooklyn for technoing with my techno sisters and brothers. Lately, I’ve been spending lots of time in my studio, playing with my sexy toys.

Growing up music was my best friend, its what…

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Reblog – Maiya Hershey – Tides [Shimmering Moods]

A quiet start to the week…

Today’s Discovery #2 – Theda Hammel on Giving Sondheim the Synth Treatment

Sometimes you just come across something that makes you sit up and listen….

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Today’s Discovery – Katharina Klement ~ peripheries

Today’s Discovery brings a city to life…

 

 

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What comes to mind when you think of Belgrade? Katharina Klement went on a nine-week mission to discover the sound of the city, and came away with a multitude of answers.

peripheries plays like a sonic photo album, the images more important than the flow.  While the album begins with a thump, the field recordings soon settle into a sort of rhythm.  As the set progresses, a tapestry is revealed. The overture of the city is heard from a balcony: dogs, sirens, traffic, street music, passers-by.  A discernible hum emerges.  Is this Belgrade?  Can a single chord, a melange of sounds, sum up the city?  Klement answers with an emphatic no. Her explorations reveal jagged edges and clear demarcations, from Tesla’s gorgeously amplified induction motor to the bells of Saint Sava.

An unexpected poignancy visits during “nijemo kolo (mute dance)”, though one must read the liner notes to detect it…

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Focus Reblog – In the studio with Poppy Ackroyd

Let’s start at the very beginning. Can you tell us how you got involved in composing, and what was your very first piece of gear? My first piece of equipment was an Electro Harmonix 2880 super multi-track looper. It looks really simple but is surprisingly versatile. I wrote the original version of my track ‘Grounds’ […]

via In the studio with Poppy Ackroyd — Headphone Commute

 

Here’s another article about the composer Poppy Ackroyd and the methods and tech she uses in the studio to create her music.

Reblog – Duologue: A Conversation with Poppy Ackroyd — Stationary Travels

 

 

With her 2012 debut ‘Escapement’, Brighton-based composer Poppy Ackroyd entered the same rare air as such esteemed innovators of modern classical and electronic music as Nils Frahm and Hauschka. Classically trained on violin and piano, she creates utterly mesmerizing music by manipulating and multi-tracking sounds primarily from these two instruments in sometimes unconventional ways, an approach […]

via Duologue: A Conversation with Poppy Ackroyd — Stationary Travels

Friday Focus – The Missing Voice Podcasts

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“The Missing Voice is a podcast series exploring gender within the music industry, produced by Belfast based musicians, Isobel Anderson and Francesca O’Connor. Combining one-to-one interviews with group discussions and special themed editions, the aim of the podcast is to highlight the challenges around gender in music but also where progress and new opportunities are taking place.”

 

Today’s Discovery – Music For Candy Shops LP by Poly Chain

 

Thanks to Machine Woman on Twitter, I came across Today’s Discovery –
Music For Candy Shops LP
by Poly Chain …

” Brand new Transatlantyk release contains elusive synth works of Sasha Zakrevska aka Poly Chain. She likes to call herself “a Ukrainian ambient chavette” and the title of her debut album is a tongue-in-cheek spin on the Eno’s classic. “Music For Candy Shop” is much more sticky and syrupy than its famous predecessor though. In every track on this record Poly Chain’s rich and warm synth textures are glazed with another layer of radioactive sweeting. From atonal melodies on top to occasional spicing in form of odd reverbs, delays and drum sounds – it’s all there. Let me tell you straight up: this candy shop serves some weird sort of sweets, inducing hallucinations, anxious feelings of omniscience and transcendency. Use with caution!”

Released February 24, 2017

Celebrating the eclecticism of Electronic Artists who identify as female