Review Reblog – Sarah Angliss – Ealing Feeder

How could I have missed this ?

earsforeyes's avatarEars For Eyes

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If you’ve seen Sarah Angliss play live and wondered how she could capture her rambling, magical suitcase of weirdness in a recording, ‘Ealing Feeder’ goes some way to realising it. Sadly missing the robotic ventriloquist dummy heads and breathing handbag of her performances, this album still retains the eerie magic of Sarah’s music which pitches between spooky and a benign and welcoming oddness. ‘You Taught Me How to See the Crows’ is a pastoral recorder ensemble summer fantasia. ‘A Wren in the Cathedral’ features recordings of birdsong, manipulated by theremin, their pitch and melody bent and swirled; a narration about domes and altars overlays the song, sinister bells drizzling through the sound cracks. ‘The Bows’ is an evocative haunting of backwards whispering and creaking strings. ‘Ventriloquist’ lists the craft and objects of ‘modern Merlins’, the perversions ‘a parliament of monsters’, backed with ghostly operatic theremin and squealing metal…

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Review Reblog – Elizabeth Veldon – ten shaker dances for mother ann lee and christian that he may dance (group 3)

Just spent twenty minutes sidetracked by this minimalist piece and was happy to do so.

kainobuko's avatarYeah I Know It Sucks

Artist: Elizabeth Veldon
Title
: ten shaker dances for mother ann lee and christian that he may dance (group 3)
Keywords:
experimental avant garde electronic noise United Kingdom

I don’t know about you, but I was really in the mood to hear music that had come out of the mysterious hands & mind of the legendary Elizabeth Veldon. Just when I clicked for ‘experimental’ stuff in bandcamp her name appeared and when I followed it; pretty music followed as well.

Twenty minutes of it, a time period that anyone in need for some fine minimal ambient drone material would be very happy and pleased to find within their ears. The tone that the artist is giving its attention too is ringing like some kind of magic, a vibrant minimalism that felt to me like it’s a morning time that never ends. As if Elizabeth Veldon had captured the morning glory…

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Everything You Wanted to know about I Speak Machine…….

 

 

I Speak Machine are an electronic duo described as a ‘vocalist and synth nerd’ (Tara Busch, above) with filmmaker Maf Lewis. They are preoccupied with soundtracks, and specifically the working practices of Ennio Morricone and Sergio Leone, who would write scores while the film itself was still under construction. The music of I Speak Machine, […]

via Interview: I Speak Machine – Tara Busch talks soundtracks — Arcana.fm

 

 

Review Reblog – Leah Kardos ~ Rococochet — A Closer Listen

 

 

I thought I had the measure of Rococochet a few minutes into “Let Your Body”, a soothing opener of polyrhythmic ivories, mallets and skins that slowly unfurls to reveal increasingly vivid jazz-infused colours. Even as other, unexpected timbres join – mellotron, synth and backing vocals, the tone and atmosphere hold steady, and I assumed charted […]

Read more via Leah Kardos ~ Rococochet — a closer listen

Review Reblog – Eva Bowan – Ringwoodite

kainobuko's avatarYeah I Know It Sucks

Artist: Eva Bowan

Title: Ringwoodite

Keywords: electronic ambient ambient electronic experimental electronic Brighton

Let me introduce you to this wonderful album by Eva Bowan; maybe you heard it already and maybe you didn’t, but I’m over the moon to share it here with you. It had been keeping me companionship in difficult times & thought you might experience comfort or joy within these tracks too. On before hand, please excuse me if this write up / review thing sounds a bit too serious; it’s just that kind of thing… it’s important to me & feel it deserves to be treated with the same respect as it had been treating me in it’s comforting & empowering audio ways…

It started with one piece named “Regression To The Mean”, which comes across as a mysterious sounding recording, one in which a intense magically sounding vocal immediately puts a spell on the listener…

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Reblog – Album of the Day: Kedr Livanskiy, “Ariadna (ариадна)”

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News – Fall Music Preview: Electronic – A Closer Listen

Plenty to look forward to here……

postrockcafe's avatara closer listen

To dance is to forget one’s problems and to underline the vibrant nature of life.  Our Electronic Preview points in the direction of the club, but even if one can’t get out there in public, there’s always the living room, the lawn, the car.  Let’s say you were a robot beached on a distant island.  Wouldn’t you still have a locked groove in your electronic heart?  We know we would!  The best beats of the season are waiting to be discovered in the largest of our five fall previews.

Our cover image is taken from Peter Brown’s The Wild Robot, one of the finest YA books in recent memory.  A sequel, The Wild Robot Escapes, will be published next spring.  For more on Brown and the Wild Robot series, visit his website here.

Rich’s Pick:  Jilk ~ Joy in the End (Project Mooncircle, 1 September)
We’ve waited a long…

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Today’s Discovery – Ghost on the Stairs – Meemo Comma

 

“Meemo Comma is the new alias of Objects Limited boss Lara Rix-Martin. She previously released as Lux E Tenebris and as one half of the duo Heterotic (on Planet Mu). Her label Objects Limited issues a variety of electronic music from an exclusively women and non-binary roster.

‘Ghost on the Stairs’ explores how Lara Rix-Martin perceives sounds, as she has Auditory Processing Disorder. APD mostly affects how a person processes speech internally; background noises merge with language and every background sound has equal relevancy making it hard for an APD listener to understand voices, music and disentangling multiple audio sources.

Merging speech and voice into a strange and alien form has always been the core of  Lara Rix-Martin’s sound, but it’s given a stronger focus on this album. Incorporating similar meditative influences to her ‘Cyclizine’ EP; drones feature with a maximal/minimal all-encasing feeling that flickers between comforting numbness and anxiety. Tracks such as ‘Caturday’ and ‘Online Persona’ explore rhythms in the spaces in between the beats. “I’ve always found it interesting to think of rhythms in a negative way, what beats aren’t there, the spaces between”.

Released September 1, 2017

The album is also included on the Bandcamp Daily weekly roundup of essential releases –

This Week’s Essential Releases: Saharan Guitar, Somber Electronics, and Nerd Rap

 

Review Reblog – ODEM STIMUZAK by Agnes Pe

Artist: Agnes Pe Title: ODEM STIMUZAK Keywords: devotional, ambience, distorted, Muzak-stun, malfunction, Muzak, Lleida First I thought it was the sound of a birthday party, than it became one that was playing itself out under water & after that it was somewhere in an all absorbing weird triply world somewhere in a bizarre outer space […]

via Agnes Pe – ODEM STIMUZAK — Yeah I Know It Sucks

Review Reblog – On the reissue of Maggi Payne’s Crystal by Aguirre — The Hum Blog

 

“For decades, Maggi Payne has quietly lingered in the realms of avant-garde and experiential music, laying influence just out of view.” 

via on the reissue of maggi payne’s crystal by aguirre — The Hum Blog

 

 

Celebrating the eclecticism of Electronic Artists who identify as female