Review Reblog – Heejin Jang – Trouble in the Camp

I came across Heejin Jang – Binary Breath via YIKIS last year and was interested to hear this new release. On listening, it’s excoriating…but in a good way.

kainobuko's avatarYeah I Know It Sucks

Artist: Heejin Jang
Title: Trouble in the Camp
Keywords:electronic experimental avant-garde experimental indie rock noise psychedelic rock synth United States
Label: Doom Trip

Unleashed on the special day of spookiness, the one that people named ‘Halloween’ are the fearful sounding spooky sounds from ‘Trouble in the Camp’ by Heejin Jang. It is best to hear it in complete darkness with the sound up loud and yourself hiding underneath a blanket of comfort. This music will bring out the shimmering demons of the night, the creepy crawlers & the audio ghouls that hammer their wooden sticks of magic in fierce-full depths, ready to haunt you for some poisoned candy.

Some of them come across cold and slimy, as if the ghosts of the many snails you have stepped on all throughout your life had now come to scare the hell out of you for a good old-time case of revenge…

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Reblog – Sonic Panorama: Sonic Feminisms, SAOUT RADIO

Sonic Panorama: Sonic Feminisms, SAOUT RADIO Artists: Randa Maroufi, Cathy Lane, Habiba Effat, Myriam Pruvot. There are as many sounds as possible ways to be woman. As many women as possible feminisms. As many feminisms as possible sounds. For the 2017 program at ifa Gallery Berlin, Anna Raimondo proposes for Saout Radio a sonic travel into the […]

via Sonic Panorama: Sonic Feminisms at ifa Gallery Berlin Oct 9 – Nov 30, 2017 — Cathy Lane

 

“Saout Radio, represented by Younes Baba-Ali and Anna Raimondo, explores the universe of sonic arts, including radio, sound art, video and interventions in the public space. It proposes a sonic travel into the universe of sonic arts exploring its different possibilities, the richness of its languages and the multitudes of its sensuous experiences.”

 

 

Review Reblog – Album of the Day: Colleen, “A flame my love, a frequency” — Bandcamp Daily

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In a world of horror, multi-instrumentalist Colleen’s loops, layers, and prose-poem lyrics feel medicinal.

via Album of the Day: Colleen, “A flame my love, a frequency” — Bandcamp Daily

Review Reblog – Izabela Dłużyk ~ Soundscapes of spring — A Closer Listen

Izabela Dłużyk’s Soundscapes of summer was A Closer Listen‘s favorite soundscape of 2016, and her latest album is just as remarkable. For this release, the artist has turned the dial back to spring, and we’re hoping (reasonably so) that the project will eventually become a quadriptych. The sounds here are as clear as any we’ve ever heard; […]

via Izabela Dłużyk ~ Soundscapes of spring — a closer listen

 

A thing of beauty is a joy forever….

 

 

Review Reblog – Stephanie Merchak – Collapsing Structures — Yeah I Know It Sucks

Artist: Stephanie Merchak Title: Collapsing Structures Keywords: experimental ambient electronic atmospheric electronic music harsh noise industrial San Diego Label: Silent Method Records Collapsing Structures by Stephanie Merchak is like a gigantic trip, one that goes on a personal tour inside the artist her mind, exploring the deepest corners without revealing any details, converting a lot […]

via Stephanie Merchak – Collapsing Structures — Yeah I Know It Sucks

ICYMI – Moor Mother – Fetish Bones

There is nothing to say as introduction…..Just listen.

 

Review Reblog – Moor Mother x Mental Jewelry – Crime Waves (Don Giovanni)

Moor Mother – An artist in ascendance who is not afraid to tell it as it is.
” File with Clipping as fellow noise-rap geniuses; both making some of the most dense and exciting music currently being released.”

earsforeyes's avatarEars For Eyes

a0013465926_10Moor Mother follows her amazing 2016 album, ‘Fetish Bones‘, a collection of home-recorded protest songs that are as fierce as they are strange, testaments to troubling time, with this, her second release on the Don Giovanni label. ‘Crime Waves‘ is a collaboration with producers Mental Jewelry. Continuing with the subject matter of ‘Fetish Bones’: racism and police violence, ‘Crime Waves’ packs an avalanche of sound and words into its shorter EP-length duration.

Coiling bass and echoing sonar-ping beats erupt from opening track, ‘Hardware’, Moor Mother repeating “is anybody out there?;” police brutality, blood and taser guns described with a pixelated noise-eroded voice. The vocal delivery is anguished and desperate: “how dare I exist?”; the music is an uneasy combination of sick-step rhythms, queasily pitching sound-levels and industro-scrape atmospherics bouncing off a brick-wall background. ‘Death Booming’ is a woozy low-key nightmare; low, slow and sparse; claustrophobic can-clack…

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Reblog – Electric Elizabeth – FutureConeB

Today’s Discovery….

kainobuko's avatarYeah I Know It Sucks

Artist: Electric Elizabeth
Title: FutureConeB
Keywords: experimental, noise, video

Electric Elizabeth’s description of one of her actual music videos online sounds way simpler than what it deserves. She wrote “Some slowed down footage of water with one of my tracks over the top.” Of course that’s what it is, literally speaking, but imaginative speaking there is so much more to it. First of all the ‘one of her tracks’ that she added to the visual video is one that fits the water footage so extremely well, so much so that it might even be a bit frightening in how good it fits.

It’s like every bit of water flow, every wrinkle on top and in it is attached to the sounds generated by her track. It is as if the water knows exactly when to move and is triggered by her sounds, or that Electric Elizabeth had made the track…

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Reblog – Petra Glynt Brings People Power to Her Experimental Pop

“You see more women taking charge as festival and event promoters [because] in order for this to change there needs to be more women organizing,” she says. “Soon, [gender inequities] will be a thing of the past.”

I hope so…

Review Reblog – Susan Drone – Laurie Spiegel

So glad this has been noticed : )

kainobuko's avatarYeah I Know It Sucks

Artist: Susan Drone
Title:
Laurie Spiegel
Keywords:
experimental ambient dark ambient drone experimental electronic Murcia

This one is intense, with its thick blissful sound that feels like some kind of godlike drone that mysteriously appeared out of the skyline. Everything else is silent, making it appear at a time in which most people are asleep. Some kicks can be felt, bashing like the hammer of Thor while being washed away in the grotesque emerging dronescape.

It really goes into me as the impressive piece that it is, making me feel little and the audio universe gigantic. A shimmering pulsation can be felt in this ambience, as if in the far distance some-kind of army of spirits march above the thick clouds. It keeps the intensity for the full amount that this track plays, humbling me down as if it made me realize what an unremarkable tiny dot we are on…

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Celebrating the eclecticism of Electronic Artists who identify as female