Category Archives: Introducing

Reblog – Apophenia by Ale Hop

 

 

 

 

TJ Norris's avatar

Ale Hop | Apophenia
Buh Records (LP/DL)

Ale Hop (Alejandra Cardenas) is a Peruvian composer, based in Berlin and Apophenia (her sophomore effort after 2017’s Bodiless) is my second-look introduction to her work. Much of what Cardenas brings to the table are intriguing a/v eye of the mind processed through video and performance. What comes through as strictly audio should, in fact, be the soundtrack (or motto) for what we always strive to capture at Toneshift, a pure experimental spirit that abridges many genres and by-passes many more, in temporal vignettes that are 100% exploratory and fearless.



There are gentle, fleeting passages to Augury (as seen above) which starts these eight tracks with a heck of a moody ground. The percussion is sparse and spacey at times, the springing, bending effects play atop a near black backdrop, like counting stars. This is not a drone record, but manages to…

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Listening to…

Experimental, noise, various artists from around the world


 

pyr279 heavy lifting – thanks for watching

Lucy Cheesman aka heavy lifting – live coded music


 

12 weightless techno trax from the bog, the abyss and many other unique zones……..

Electronic, abstract, ambient, experimental, hardcore, house, nightcore, outsider house, techno

Review Reblog – Shadow of a Shadow by Cyanching —

Shadow of a Shadow by Cyanching
By TJ Norris – Toneshift – August 10, 2019

 

Cyanching | Shadow of a ShadowBezirk Tapes (CS/DL) From London-based Taiwanese composer Cyanching comes an ear-catching debut. Her work, at least at first, comes off subtle with a shroud of harmony slowly emerging from a quiet space. Perhaps Shadow of a Shadow is the sonoric equivalent to mise en abîme, as it transmits what sound […]

via Shadow of a Shadow by Cyanching —

 

” “I try to redefine sampling,” she explains. “If I like a sound, I don’t just record it, I try to recreate it. If I love a bassline on a track for example, I try to play it myself and capture the qualities that attract me. By doing that you create a new sound within an old pattern.”

On the radar…Tissa Mawartyassari

Tissa Mawartyassari’s Harsh Noise Compositions Are Sonic “Ghost Stories”

“Harsh noise wall is dedicated to “blistering cacophony,” but Tissa Mawartyassari’s compositions can be oddly contemplative.”


Tissa Mawartyassari  Bandcamp


 

via  Ladyz in Noyz on Facebook here is a new release if you are into Experimental, harsh noise, harsh noise wall, power electronics
In this incarnation Cronaca Nera is Adriano Vincenti: analog synth and Tissa Mawartyassari is Monica Isabel Sanchez: harsh noise

#Rolemodels – Jean Eichelberger Ivey

There was a long thread about pioneers of electronic music on twitter and the usual names cropped up but as is often the case  there were names I hadn’t heard of and Jean Eichelberger Ivey is one of those names…shame on me.

On further listening, where have my ears been?

Better late than never for me here –

ivey

Jean Eichelberger Ivey

Jean Eichelberger Ivey (1923 – 2010) founded the Peabody Electronic Music Studio in 1967. Dr. Ivey has a large catalog of works in virtually every medium and is frequently represented on the programs of major orchestras and ensembles.


Piano, sounds of nature and electronics


Composer Jean Eichelberger Ivey 

A Conversation with Bruce Duffie

ivey

 

 

 

 

 

 

 


 

Music by Jean Eichelberger Ivey for Voices, Instruments and Tape

https://www.youtube.com/playlist?list=PLAO3aE_VwFVBuWDE-JAYEf_BQG1D0uPJQ

Listening to…Sophie Delafontaine ~ Accord ouvert — a closer listen

Electro-acoustic music is an acquired taste, falling under the same banner as musique concrète and the lesser-used acousmatics. For 20 years, Montreal’s empreintes DIGITALis has been releasing a steady stream of this intricate, fascinating music, bringing award-winning compositions to the attention of larger audiences. But when we write larger, we still don’t mean large. There’s little of the […]

via Sophie Delafontaine ~ Accord ouvert — a closer listen

 

In order to appreciate electro-acoustics, one must lay aside all preconceptions…

and just immerse yourself in the sound : )

#Rolemodels – Sound Art

So you know when I said I had a lot in my draft file, well here’s something I put together in 2015 when I started this journey and forgot to post but fits really well in #Rolemodels.

I have often wondered…

WHAT IS SOUND ART?

This was part of a series on Sound  Art and the women who have been and are, at the forefront of this highly eclectic and diverse art form but I never posted this until now…

soundartSound art is here to stay

Sound artist Susan Philipsz’s inclusion on the Turner prize shortlist should make Britain sit up and listen

 

A listener takes in Susan Hiller’s Magic Lantern pieceHear hear: Artangel sound art comes to Radio 4

John O’Mahony asks leading sound artists if their work is moving closer to the mainstream

 

annea lockwood

ANNEA LOCKWOOD

          



Noble_Bio

MARGARET NOBLE

 



SUSAN PHILIPSZ

SUSAN PHILIPSZ

Who is Susan Philipsz?



miki yui selfportrait 2011

MIKI YUI

ICYMI – Heejin Jang – Trouble in the Camp — Yeah I Know It Sucks

At the moment, I am in semi offline state trying to get some projects of my own finished. However, I will not be abandoning things completely and anyway it gives me a good chance to finally post things that have mysteriously been left in my drafts, for a long time.

Let’s begin with this excoriating in a good way release from 2017 –

 

Artist: Heejin Jang Title: Trouble in the Camp Keywords:electronic experimental avant-garde experimental indie rock noise psychedelic rock synth United States Label: Doom Trip Unleashed on the special day of spookiness, the one that people named ‘Halloween’ are the fearful sounding spooky sounds from ‘Trouble in the Camp’ by Heejin Jang. It is best to hear […]

via Heejin Jang – Trouble in the Camp — Yeah I Know It Sucks

#Rolemodels – Daria Semegen

An occasional series where I try and shine a little light on some of the women at the forefront of electronic music who I think should have more acknowledgement.

Daria Semegen

Daria Semegen (b. 1946) is a composer of instrumental, vocal and electronic music. She is a recognized authority on electronic music composition.

This article in New Music USA set me on a journey to find out more –

Daria Semegen: So Many Awareness Pixels Going On at the Same Time

Here’s a great podcast interview I enjoyed listening to from More from Art + Music + Technology with Darwin Grosse

 

 

 

Reblog – Album of the Day: Eve Maret, “No More Running” — Bandcamp Daily

 

The Nashville artist’s work has the slippery strangeness of electronic music from the late ’70s and early ’80s.

via Album of the Day: Eve Maret, “No More Running” — Bandcamp Daily

 

Also my album of the day too : )