Noise In Opposition Volume 3 – is an anti-fascist, anti-prejudice comp for noise/abstract/weirdo artists, but it’s embarrassingly male according to Mark Chickenfish. Well I’m sure there are some artists out there who may be interested in creating something for this project? Details below –
Category Archives: ICYMI
Reblog – Selected Early Keyboard Works by Catherine Christer Hennix
” Part of Womens Work Week – a celebration of international women working in experimental and electronic music genres. If you enjoy this review you may also be interested in one of these additional releases that we are covering this week on Toneshift.net: “
Recommended

Catherine Christer Hennix | Selected Early Keyboard Works
Empty Editions/Blank Forms (2xLP/DL)
I’m always thrilled when I have the opportunity, amidst so much new talent that I’m exposed to regularly, to discover an artist’s work, an experienced septuagenarian, for the very first time. Four of Swedish composer (and Renaissance woman) Catherine Christer Hennix‘s works are nicely showcased in this co-released collection (a volume of writings is forthcoming via Blank Forms) of Selected Early Keyboard Works.
I find it quite interesting when unknown creatives who have been better known as scientists, visual artists, mathematicians and philosophers (like Hennix) are brought into the light of public consciousness, especially when they have worked on their craft for four plus decades with little recognition. This is all so much more satisfying (to these ears) when the focus is on the minimal. As a youth Hennix also worked at Stockholm’s…
View original post 607 more words
Reblog – The Space Lady – greatest hits
You can never have enough of The Space Lady : )
Artist: The Space Lady
Title: greatest hits
Keywords: pop, electronic, synthesizer
I know… I know.. and I’m even fully aware of already having discussed this lovely album over here, but sometimes it’s nice to have it ripen in the back of my head and return to it like a fine wine that has stood through the seasons to make all the flavors pop out for the best. When I first heard it I was just fully flabbergasted and surprised about its discovery through a good friend (graham Boosey) who had seen this lady perform in concert. I was fully blown away by just hearing this album so imagine how blown away his enthusiasm was, but now with the time passing gracefully and the music flourishing like a flower over time in my own memory storage system, I thought reviewing it for a second time was a nice little thing to…
View original post 446 more words
Reblog – Lunisolar by Mayuko Hino
There’s so much going on , too much for one person to keep up so looking through the Toneshift site I stumbled on this gem. Better late than never : )

From UK-based Cold Spring Records comes the new release by Mayuko Hino (from the band CCCC) titled Lunisolar. It’s two lengthy tracks starting with the crusty drone vs. monastery bells on Fantainhead. It’s like an open circuit mixed with heavy rough winds, a low-fi reverberating buzz and a centering tone of a gong-like bell. 日野繭子 makes no bones about her wide-ranging noisician flexability here, nor her honored place in the contemporary Japanoise scene. After all, she’s been actively at it since the early 90s, even though this is only her second solo record. Unlike a bevy of artists who just make ear-splitting sonic somersaults, Hino’s sound is more impressionistic and staggered in its delivery, incorporating a yin/yang of the industrial and environmental.
The severe blast of wired drones sound like a giant firehose battling a blaze in the final minutes of track one. The half-stops and firestarts are…
View original post 250 more words
Listening to…
Instead of playlists this Summer, I’m going to highlight and post compilations that may be of interest to listeners, covering all electronic genres and diverse in sound. Although this collection is not solely electronic, it does spotlight some of the artists creating experimental music.
ICYMI – Article Reblog – Speaker Dress by Pauchi Sasaki — Between Air and Electricity
https://youtube.com/watch?v=hWKjwLp6kuQ%3Ffeature%3Doembed%26enablejsapi%3D1
Pauchi Sasaki wears her Speaker Dress (2014), containing 96 loudspeakers. Photo by Juan Pablo Aragon. © Pauchi SasakiOur clothes can be seen as a form of communication between ourselves and the outside world. They give a visual impression of who we are and how we would like to be seen by others. Pauchi Sasaki designs dresses…
via Speaker Dress by Pauchi Sasaki — Between Air and Electricity
Recommended site – Between Air and Electricity – Cathy van Eck
Today’s Discovery – Delayed – Marlo Eggplant
Just listen…
This was part of a noise community monthly trade series in 2017.
Released February 17, 2017
Experimental, Ambient, Electronic, Avant-garde, Drone, Noise.
Review Reblog – Bredbeddle: Stackes
ICYMI – 2017 Releases…
Review Reblog – JASSS ~ Weightless
Also , good to see this release on the ACL 2017 Top Ten Electronic list : )
JASSS (Silvia Jiménez Alvarez) is yet another artist pushing music forward with a debut album. We’re publishing this review a full month early to give our European readers the chance to check her out at the Atonal Festival (Stage Null, 1:00 a.m. Friday) and to disagree with her exclusion from FACT’s Seven acts you won’t want to miss. FACT, we love you, but we’d put her in the top five. Still, maybe you haven’t heard this album yet, in which case we forgive you.
Some of us have been waiting a long time for a new infusion of life in the industrial genre (which by any other name would still sound as sweet). This year, it’s arrived with a vengeance in the form of artists such as Pan Daijing, Pact Infernal and Belief Defect (all playing Atonal!). Apparently the playbook is gone, and these artists are playing by their…
View original post 326 more words
Review Reblog – Izabela Dłużyk ~ Soundscapes of spring
So pleased to see this release on ACL 2017 Top Ten Field Recording and Soundscape list…I will never tire of it as it is perfection to the ear and soul.
Izabela Dłużyk’s Soundscapes of summer was A Closer Listen‘s favorite soundscape of 2016, and her latest album is just as remarkable. For this release, the artist has turned the dial back to spring, and we’re hoping (reasonably so) that the project will eventually become a quadriptych. The sounds here are as clear as any we’ve ever heard; the mastering is dynamic, the sequencing superb. To listen is to enter into a dream world that is actually real, including the “endangered Bialowieza primeval forest, Siemianowka lake (and) Biebrza marshes.” It’s a privilege to be able to hear these environments from the other side of the world, and to wonder at their fullness. Most people live near birds (or the other way around), but few people live near such a variety of voices.
When it comes to field recordings, proximity is not enough. One needs the ears to hear these…
View original post 475 more words


You must be logged in to post a comment.