REVIEW REBLOG – Christina Kubisch & Eckehard Güther ~ Unter Grund

If you click through from this review, I also recommend you read the detailed overview on the Gruenrekorder site for added info on the Rhur and the connections between humans and nature – water and sound.
Courtesy to A Closer Listen for the reblog.

postrockcafe's avatara closer listen

Unter GrundMany of the water-based recordings we receive are beauty-based, calling to mind vacations by the sea, meditations by the river, the sweetness of summer rain. Christina Kubisch & Eckehard Güther‘s Unter Grund is different: historical, political and metaphorical, it prompts the listener into larger modes of thought.

The original presentation was a 26-channel installation, and we’re intensely jealous of those who were able to check it out.  The CD version is an intricate soundscape of water movement in the Ruhr area, recorded above and below ground, in spouts and pipes, pumps and ponds.  The expanded recording area paints a fuller picture of water flow than one might receive from the personal experience of water from faucets and shower heads, heaters and drains.  Where does the water come from?  Where does it go?  Is it clean?  Few people ask such questions, content to trust that what enters their homes must be…

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NEWS – Éliane Radigue International Conference, CFP

Laura Zattra's avatarlaura zattra

I am pleased to share with you this Call for Papers I just received from Marc Battier, professor at IReMus / Université Paris-Sorbonne.

COLLOQUE INTERNATIONAL ÉLIANE RADIGUE
 
Le colloque international Éliane Radigue a l’ambition de réaliser un panorama de l’œuvre de la pionnière de la musique électroacoustique française Éliane Radigue et d’inciter à la recherche sur les femmes compositrices du XXe et XXIe siècle. Le colloque est organisé par le CReIM (Cercle de recherche interdisciplinaire sur les musiciennes), le GEMM (Genre, Musique et Musiciennes) qui cherche à encourager les recherches sur les femmes dans le rôle de musiciennes, compositrices ou musicologues, l’IEC (Institut Emilie du Châtelet), ainsi que par l’IReMus (Institut de recherche en musicologie) et l’École doctorale Concepts et langages (ED V).
eliane-radigue
L’intérêt particulier pour la musique d’Eliane Radigue est dû au fait qu’elle est l’unique compositrice française de sa génération qui puisse être considérée comme une des pionnières majeures de…

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SOUNDCLOUD SPOTLIGHT -Akane Hosaka

Akane Hosaka

“With her lunging rhythms and deliciously retro melodies, Akane Hosaka catapults us into a world of gleeful wallabies and drummer-boy monkeys.Her discovery of music came through song, and only later led to instrumental experimentation.References to her early influences, the 60s and 70s precursors of electropop, are deliberate, there for all to see: Raymond Scott, Perrey & Kingsley or Yellow Magic Orchestra. Nevertheless her true inspiration is from the visual world and lies in graphic forms and architectural fantasy:Keiji Ito, Archigram or Bruno Munari.For her, these images evoke musicthat she then sets about transcribing.Naturally reserved, she’s a perfectionist in her work. Seeing her in the studio is like watching a blacksmith in the smithy, as she bends her music into the required shapes.
Her compositions are like pastel-coloured soap bubbles in extra-bright Super 8.”
http://www.sonore.com

NEWS – Pledge for Parity

electricindigo's avatarfemale:pressure

International Women’s Day is Tuesday, March 8th, 2016. The day’s purpose is to “celebrate the social, economic, cultural and political achievement of women.” This year’s theme is: Pledge for Parity. Professional dance music DJs today are internationally known entities, touring the world and benefitting from what’s become a globally recognized culture. Yet the industry surrounding it is far from being equitable for women.

To accelerate parity from within, turn(the)tables on, a non-profit using dance music to fight problems of inequity and injustice, is suggesting DJs and producers make a pledge for International Women’s Day and beyond to challenge conscious and unconscious bias and create a more inclusive, flexible culture. How? Through the creation of charts on sites like Beatport, Traxsource, Juno, Resident Advisor, and wherever else they may already be active, on March 8th dedicated to the special day, with the intention of turning the tables on gender gaps…

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TODAYS DISCOVERY -Julia White

‘in the cities of dust’ a magnetic beauty sized in rough Diamond … for you.
Trained to noisey & punk rock, she offers us 9 pretty soothed thumbnails of pure beauty.” (David Teboul / Soft Recordings).

REVIEW REBLOG – Julia White – In the Cities of Dust [Soft]

It was suggested that I listen to this release and I’m glad I did..

EVENT – PoL # 23 Sound and Ecological Crisis

pointsoflistening's avatarPoints of Listening

With Anja Kanngieser
Date: Tuesday March 8th, 2016
Time: 18:30
Venue: London College of Communication (Meet at front reception: directions)
Free with limited capacity
To reserve a place please email: markpeterwright@gmail.com

sound and ecological crisisImage credit: Polly Stanton, 2015.

This PoL session will ask participants to consider how they understand ‘nature’, and what their stakes in it are, individually and collectively. In an era currently being defined as the Anthropocene, a geophysical term “which recognizes that human intrusion on the planet’s surface and into the atmosphere has been so extreme as to qualify our time on earth as a specific geological epoch”, the session explores imaginations of the natural world. It does so through mediums and methods of sound being used contemporaneously by artists, bioacousticians and scientists to make sense of, and communicate, earth system changes. Mapping out a range of ecoacoustic practices from field recordings to data and geo- sonifications, the…

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EVENT FOCUS – Film of Story of Sound talk

magz hall's avatarMagz Hall

You can watch films of the Story of Sound talks for Lighthouse Arts in Brighton  Pavillion. featuring myself  alongside sound designers Chris Watson Barry Adamson and  Glenn Freemantle at Story of Sound 2015. Shame I was ill that day but I don’t think you can tell too much!

http://www.lighthouse.org.uk/programme/the-sound-of-story-2015-films

Magz story of sound 2015

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REVIEW REBLOG – Panic Girl – Breeze EP

Great when collaboration works to the benefit of getting eclectic music to a wider audience.
Thanks Yeah I Know it Sucks for the link and review.

kainobuko's avatarYeah I Know It Sucks

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artist: Panic Girl
title: Breeze EP
keywords: electronic electronica experimental marc mozart mista min panic girl trip hop breeze jomox korg magick Germany
artist website:http://www.panic-girl.com/

Webzine Feninatronics is informing its followers of lots of talented female artists out there in the experimental and electronica music environments. One of these celebratory posts triggered me to check out the music of Panic Girl & I’m (as a music lover) utterly grateful for having this brought to the attention..

Panic Girl brings a pretty laid-back atmosphere in a free downloadable track named ‘Breeze’. This atmosphere doesn’t come in like a cloud brought to you by a summers breeze, but more by the artist forcibly marching it in with a massive stepper of a beat. Once the pretty dreamy atmosphere of voice and melodic artifacts has arrived in all it’s bright and glory; the beats retrieve for us all to enjoy the…

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REVIEW REBLOG – Lea Bertucci ~ Axis/Atlas

I can always rely on A Closer Listen to widen horizons sonically and this is no exception…

postrockcafe's avatara closer listen

Axis:AtlasThose who view New York artist Lea Bertucci as a bass clarinetist are missing the bigger picture.  Fresh from her residency at Brooklyn’s ISSUE Project Room and already preparing for two other residencies, Bertucci has proven herself to be a visual artist, sound designer, improvisor and curator.  She seldom plays the bass clarinet without electronic manipulation; and sometimes, she doesn’t play it at all.

Those familiar with Bertucci’s work from our past reviews, or even from her live performances, should throw out everything they know when considering the new release.  To start, the opening cut is a flute piece: a sound collage that incorporates “an earworm from the Bulgarian folk song Dragano Draganke.”  The collage imagines the process of forgetting, or at least trying to forget, a melody that is already embedded in the mind.  As one can imagine, the process fails, while the composition does not.  The more Bertucci alters…

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Celebrating the eclecticism of Electronic Artists who identify as female