Category Archives: Discovery

Today’s Discovery – Heraclitus in Iceland – Gail Priest

 

I’ve wanted to make this my Today’s Discovery since first hearing this beautiful and atmospheric piece and spurred on by the review from A Closer Listen , here it is.

Today’s Discovery – Okoloreki by Wetwe Feat. Tatyana Kalmykova

 

“This release is full of mystical atmosphere, ambient sounds and Russian folk chants and instruments such as gudok and balalaika. This EP is also contained a works of Tatyana Kalmykova who reshape electronic with her wonderful voice and gudok performance.” 

 

Thanks to Yeah I Know it Sucks for the discovery of this beautiful release.

Review Reblog – Wetwe Feat. Tatyana Kalmykova – Okoloreki

It’s been a strange few weeks and I haven’t been able to keep up with things here but I’m kicking myself that I missed this…It is a wondrous thing to listen to…

kainobuko's avatarYeah I Know It Sucks

Artist: Wetwe Feat. Tatyana Kalmykova
Title: Okoloreki
Keywords: electronic experimental abstract ambient bass music downtempo drone folk modern classical russian folklor techno Moscow

I don’t know much about this music as I evidently avoided all the information that came with it as it appeared through our illustrious request form, but from my own ears and mind I could make up that this was a bit of a holistic revelation in sound ways. It was a calming one, that featured the prominent voice of a certain Tatyana Kalmykova that seemed to sing among the walls of ruins, or perhaps a still standing church with great acoustics. Sometimes her voice gets bounced into a room in which it still feels warm, yet the acoustics feel flat, a bit as if the bigness gets suddenly beamed through some old time radio.

But it’s not all about Tatyana Kalmykova’s voice, it’s also pretty much…

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Review Reblog – Heejin Jang – Trouble in the Camp

I came across Heejin Jang – Binary Breath via YIKIS last year and was interested to hear this new release. On listening, it’s excoriating…but in a good way.

kainobuko's avatarYeah I Know It Sucks

Artist: Heejin Jang
Title: Trouble in the Camp
Keywords:electronic experimental avant-garde experimental indie rock noise psychedelic rock synth United States
Label: Doom Trip

Unleashed on the special day of spookiness, the one that people named ‘Halloween’ are the fearful sounding spooky sounds from ‘Trouble in the Camp’ by Heejin Jang. It is best to hear it in complete darkness with the sound up loud and yourself hiding underneath a blanket of comfort. This music will bring out the shimmering demons of the night, the creepy crawlers & the audio ghouls that hammer their wooden sticks of magic in fierce-full depths, ready to haunt you for some poisoned candy.

Some of them come across cold and slimy, as if the ghosts of the many snails you have stepped on all throughout your life had now come to scare the hell out of you for a good old-time case of revenge…

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Reblog – Sonic Panorama: Sonic Feminisms, SAOUT RADIO

Sonic Panorama: Sonic Feminisms, SAOUT RADIO Artists: Randa Maroufi, Cathy Lane, Habiba Effat, Myriam Pruvot. There are as many sounds as possible ways to be woman. As many women as possible feminisms. As many feminisms as possible sounds. For the 2017 program at ifa Gallery Berlin, Anna Raimondo proposes for Saout Radio a sonic travel into the […]

via Sonic Panorama: Sonic Feminisms at ifa Gallery Berlin Oct 9 – Nov 30, 2017 — Cathy Lane

 

“Saout Radio, represented by Younes Baba-Ali and Anna Raimondo, explores the universe of sonic arts, including radio, sound art, video and interventions in the public space. It proposes a sonic travel into the universe of sonic arts exploring its different possibilities, the richness of its languages and the multitudes of its sensuous experiences.”

 

 

Review Reblog – Stephanie Merchak – Collapsing Structures — Yeah I Know It Sucks

Artist: Stephanie Merchak Title: Collapsing Structures Keywords: experimental ambient electronic atmospheric electronic music harsh noise industrial San Diego Label: Silent Method Records Collapsing Structures by Stephanie Merchak is like a gigantic trip, one that goes on a personal tour inside the artist her mind, exploring the deepest corners without revealing any details, converting a lot […]

via Stephanie Merchak – Collapsing Structures — Yeah I Know It Sucks

Reblog – Electric Elizabeth – FutureConeB

Today’s Discovery….

kainobuko's avatarYeah I Know It Sucks

Artist: Electric Elizabeth
Title: FutureConeB
Keywords: experimental, noise, video

Electric Elizabeth’s description of one of her actual music videos online sounds way simpler than what it deserves. She wrote “Some slowed down footage of water with one of my tracks over the top.” Of course that’s what it is, literally speaking, but imaginative speaking there is so much more to it. First of all the ‘one of her tracks’ that she added to the visual video is one that fits the water footage so extremely well, so much so that it might even be a bit frightening in how good it fits.

It’s like every bit of water flow, every wrinkle on top and in it is attached to the sounds generated by her track. It is as if the water knows exactly when to move and is triggered by her sounds, or that Electric Elizabeth had made the track…

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Today’s Discovery – Susan Drone

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“Electroacoustic Composition, Graphic Artist and Experimental Composer, who uses field recordings combined with computer processing and electronic sounds, in an attempt to create dreamlike, sensitive hypnagogic states.”

https://susanloop.bandcamp.com/

Works

 

 

Review Reblog – Sarah Angliss – Ealing Feeder

How could I have missed this ?

earsforeyes's avatarEars For Eyes

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If you’ve seen Sarah Angliss play live and wondered how she could capture her rambling, magical suitcase of weirdness in a recording, ‘Ealing Feeder’ goes some way to realising it. Sadly missing the robotic ventriloquist dummy heads and breathing handbag of her performances, this album still retains the eerie magic of Sarah’s music which pitches between spooky and a benign and welcoming oddness. ‘You Taught Me How to See the Crows’ is a pastoral recorder ensemble summer fantasia. ‘A Wren in the Cathedral’ features recordings of birdsong, manipulated by theremin, their pitch and melody bent and swirled; a narration about domes and altars overlays the song, sinister bells drizzling through the sound cracks. ‘The Bows’ is an evocative haunting of backwards whispering and creaking strings. ‘Ventriloquist’ lists the craft and objects of ‘modern Merlins’, the perversions ‘a parliament of monsters’, backed with ghostly operatic theremin and squealing metal…

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Review Reblog – Leah Kardos ~ Rococochet — A Closer Listen

 

 

I thought I had the measure of Rococochet a few minutes into “Let Your Body”, a soothing opener of polyrhythmic ivories, mallets and skins that slowly unfurls to reveal increasingly vivid jazz-infused colours. Even as other, unexpected timbres join – mellotron, synth and backing vocals, the tone and atmosphere hold steady, and I assumed charted […]

Read more via Leah Kardos ~ Rococochet — a closer listen