All posts by Feminatronic

I am an electronic musician who, as someone recently said to me, set up Feminatronic to act as "soft PR" for female electronic artists from all genres and styles. If I can give a little helping hand then why not?

Review – Emily A. Sprague – Water Memory — Yeah I Know It Sucks

 

 

Artist: Emily A. Sprague Title: Water Memory Keywords: ambient ambient eurorack minimal modular synthesizer natural New York I woke up at four in the morning to hear a collection of pretty birds singing and chatting in front of my open window. To thank them for their beautiful sounds of peace I decided to return them […]

via Emily A. Sprague – Water Memory — Yeah I Know It Sucks

Review – Daylight Dreaming by Liz Helman — The Future of Music, Today.

 

 

From the top of Interzone there is an instant sublime rush of rippling static and vibration. Liz Helman‘s Daylight Dreaming on Montreal-based K o h l e n s t o f f Records is off-running. In her second release London time-based artist Helman incorporates what sounds to be rainy day field recordings with an […]

via Daylight Dreaming by Liz Helman — The Future of Music, Today.

Listening to –

 

“Lena Platonos is a Greek musician, pianist and music composer. She was one of the pioneers in the Greek electronic music scene of the 1980s, and she remains active today. Lena was born on the island of Crete and grew up in Athens. She began learning how to play the piano at the age of two and became a professional pianist before turning eighteen. Soon afterwards, she received a scholarship to study in Vienna and Berlin, where she was exposed to jazz, rock, and Middle Eastern music. She returned to Greece in the late 70’s and began working with the Hellenic Broadcasting Corporation. She released three collaborative albums between 1981 and 1983, but it was her “triptych” of solo albums, Sun Masks (1984), Gallop (1985), and Lepidoptera (1986) that would lead many to call her the “Greek Laurie Anderson” or “mother of Greek electronica”.

https://www.facebook.com/LenaPlatonos/

In the studio with Zinovia Arvanitidi — Headphone Commute

 

 

Let’s start at the very beginning. Can you tell us how you got involved in composing, and what was your very first piece of gear? I was around 8 years old when I started taking piano lessons. We had an antique Yamaha upright piano in our living room where I often used to sit and […]

via In the studio with Zinovia Arvanitidi — Headphone Commute

 

Reblog – Decaycast Reviews: MARLO EGGPLANT “head​/​rush​(​ed)” (Vaux Flores, 2018) — D E C A Y C A S T

 

 

Decaycast Reviews: MARLO EGGPLANT “head​/​rush​(​ed)” (Vaux Flores, 2018) by Dr. Decaycast Momentus sound artist, label head of Corpus Callosum Distro, longtime noise queen, and curator and founder of the legendary Ladyz In Noyz compilation series, UK based Marlo Eggplant offers her newest work via Travis Johns VAUX FLORES imprint (who also happen to make […]

via Decaycast Reviews: MARLO EGGPLANT “head​/​rush​(​ed)” (Vaux Flores, 2018) — D E C A Y C A S T

Review Reblog – Emergence — Fluid Radio

 

 

“Emergence” is a compilation of experimental music from Vietnam. Curated by Vietnamese artist Nhung Nguyen, it collects work by Vietnamese-born musicians living either at home or abroad, and also includes a contribution from a foreign-born artist living in Hanoi. In her liner notes, Nguyen writes that although there is not much awareness of experimental music…

via Emergence — Fluid Radio

Reblog – Chosen One: Lucrecia Dalt — FRACTURED AIR

“I wanted to explore edges and boundaries in any form; abstract, fictional, material, and by doing so I started to find metaphors I could use from concepts coming from geology like the anticline or the antiform which are ultimately disrupted or distorted hierarchical bodies.” —Lucrecia Dalt Words: Mark Carry On the striking, near-prophetic album opener […]

via Chosen One: Lucrecia Dalt — FRACTURED AIR

Reblog – Teresa Rampazzi in the last issue of Positionen n. 114 “Heroines of Sound”

Laura Zattra's avatarlaura zattra

I just uploaded the full text of my new article on teresarampazzi.it site!

Laura Zattra (2018), “Sie war ihrer Zeit voraus. Teresa Rampazzi, eine wichtige Komponistin elektronischer Musik in Italien”, Positionen. Texte zur Aktuellen Musik, n. 114 “Heroines of Sound”, pp. 9-11, ISSN: 0941-4711.

Enjoy the reading.

DOWNLOAD HERE

gruppo-nps-100-_v-gseapremiumxl The NPS Group during the first phase: 1965-1968 (Teresa Rampazzi with sunglasses).

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Album of the Day on Bandcamp Daily: Aïsha Devi, “DNA Feelings”

 

The electronic artist’s latest LP imagines the synthesis of human and machine.

via Album of the Day: Aïsha Devi, “DNA Feelings” — Bandcamp Daily

Article – Suzanne Ciani: A Lifetime at Electronic Music’s Forefront — Bandcamp Daily

 

 

 

It’s clear from the outset that Ciani was always tireless, but her energy and commitment to artistic excellence has failed to flag.

via Suzanne Ciani: A Lifetime at Electronic Music’s Forefront — Bandcamp Daily