All posts by Feminatronic

I am an electronic musician who, as someone recently said to me, set up Feminatronic to act as "soft PR" for female electronic artists from all genres and styles. If I can give a little helping hand then why not?

Initial Recordings

Really interesting to read about the thinking process and practice of these field recordings and look forward to the development of these sounds.

Hayley Wanless's avatarHayley Wanless

I have really enjoyed recording different soundscapes!
It has been strange starting my project through this form of physical research as opposed to written research.

These recordings have helped me notice that I am especially interested in peoples voices within the soundscape. It is interesting how we can block out other noise such as music or cars in order to listen to someone else conversation. We are able to snap out of our thoughts and capture pieces of information from other peoples lives.

Walking around with the Zoom Recorder is especially odd because it blocks out any noise that you may hear usually and allows you to listen to even the smallest of sounds such as my bag moving whilst I am walking. It is a really crisp sound when recording, it would be interesting if I could attempt to do something with this effect.

I am excited to see what…

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cétieu ~ Into the Light

Courtesy to A Closer Listen for this review.

ukstratboy's avatara closer listen

LightInto the Light is a sanctuary for soft colors. Peach, vanilla, cinnamon, the whitest of white chocolate; cétieu (Poland’s Tekla Mrozowicka) has already made our end-of-year lists and she is now one of Europe’s leading lights. Her music isn’t tainted in any way, shape or form. Everything is pure, innocent and lovely. Ambient should always be this way; unobtrusive and yet calming the body, mind and spirit, glowing radiantly whilst blanking out the petty dramas of the day. It’s one of the reasons why we listen to and love ambient music; we can escape. It doesn’t fear, it doesn’t hate. All is love.

The ambient tones are crystal clear, and they shimmer like a thousand gemstones as the sun lights upon the surface of a shallow rock pool. Slightly introverted, it lives solely for the pleasure of living, and it enjoys being alive. Everything gels together, but the piano is the true leader. It slowly…

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TODAYS DISCOVERY – TOMOKO SAUVAGE

tomoko_ertz_festival

TOMOKO SAUVAGE

WEB FOCUS – FEMMECULT

femmecult-trianglebauhaus3-w-impacttext-shadow

Fantastic website covering all aspects of women producing electronica. A great resource for interviews, sounds and visuals.

Feminist Music Geek Presents … Episode 1: SPECTRUM

Many Thanks and Courtesy to Feminist Music Geek for the playlist here.

Alyx Vesey's avatarFeminist Music Geek

Image: Leo Villareal, Big Bang (2008) Image: Leo Villareal, Big Bang (2008)

In May 2014, I began hosting a weekly radio program on 91.7 WSUM called “Feminist Music Geek Presents…” The show is, in many respects, an extension of this blog. It prioritizes women and girls’ historical and contemporary contributions in popular music across a range of genres. Each episode is organized by theme. As a result, it became clear as I started programming FMGP that playlists allow music fans the opportunity to recontextualize recordings as expressions of critique or dissent. So I think of my sets as arguments and conversations between artists who may not have intended to be in dialogue with each other, but whose individual recordings can be reassembled thematically or intertextually.

FMGP is on hiatus until next fall. Over the course of the summer, I will be archiving episodes for streaming here. I’ll try to post at least once a week, though…

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SOUNDCLOUD SPOTLIGHT – FURCHICK

This is a new idea I am trying here, to spotlight the SoundCloud pages of artists, many of which only have their SoundCloud pages as their web presence,  especially new or under the radar artists and so this is another means to give a bit of a boost  and shine a light on their music. Here is the first SoundCloud Spotlight – Furchick.

Grimes to release new album in October

Courtesy of Consequence of Sound for this post.

PoL # 16 Footsteps of Sound: working in and out of archives

As part of my focus on African and Asian artists, Todays Discovery has a loose but interesting link courtesy of Points of Listening.
Here is the website for the Travelling Archive
http://www.thetravellingarchive.org/home.php
I have only just discovered this and I am looking forward to reading and listening to more. There is an Exhibition as well called The Travelling Archive in East London 22 June to 5 July details here:
http://www.richmix.org.uk/whats-on/event/the-travelling-archive-in-east-london/

pointsoflistening's avatarPoints of Listening

With Moushumi Bhowmik & Sukanta Majumdar
Date: Tuesday June 9th, 2015
Time: Arrive at 18:00 (starts promptly at 18:15)
Venue: LCC, Elephant & Castle reception (Directions)
Free with limited capacity. To reserve a place please email: markpeterwright@gmail.com

image from The Travelling Archive

The Travelling Archive is two of us: Moushumi Bhowmik, singer and writer, and Sukanta Majumdar, sound recordist and sound artist. We live in Calcutta (Kolkata) and have been travelling across eastern India and Bangladesh and also in parts of London for over 12 years, working with various aspects of sound, listening and documentation.

In 2013 we produced a sound and moving image work entitled Footsteps of Sound for an exhibition at Foundacion Botin, Santander, based on early sound recordings in India. The name comes from a song we learned on the road, which goes like this: “A sound rises from the mridanga drum/I hear its footsteps/It stirs my heart/I feel in…

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SO! Amplifies: Cities and Memory

Stuart's avatarSounding Out!

Document3SO! Amplifies. . .a highly-curated, rolling mini-post series by which we editors hip you to cultural makers and organizations doing work we really really dig.  You’re welcome!

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Inspired by how sound and memory interact, Cities and Memory is a sound program with the aim of “remixing the world, one sound at a time,” existing on the (already quite blurred) line between documentary field recording and sound art.

Its primary manifestation is an online global sound map, on which every location boasts two sounds, the “city” and the “memory.” The “city” sound is the faithful, documentary field recording capturing that place at that time, as it existed and was heard. The “memory” sound is a reimagined, remixed, reinterpreted version of that sound: everything from oral reconstructions, full-on techno tracks built around a field recording, ambient reimaginings, and all the points in between, as summarized in this roundup of creative approaches from…

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SUNDAY MIX – RHYTHM AND DRUMBEATS

This weeks’ Sunday Mix of Electronic Music and Poetry has the theme of Rhythm and Drumbeats and starts with a wonderfully rhythmic piece from an Electronic Pioneer.

I travelled over land and seas, until I came to laughter’s home.
I met a woman heavy with child,
‘you are heavy with child too,’ stated the woman.
‘Yes,’ said I. ‘Heavy with sound.’
I shared my sound, she bore a bouncing baby.

I travelled over land and seas,
Until I came to music’s home.
I met a village singer.
‘you must be the bringer of rhythm,’ stated the singer.
‘yes,’ said I. I bring you beats and music notes,
I shared my beats, the music had rhythm.

I travelled over land and seas,
Until I came to a children’s game,
the leader posing tricky riddles,
‘it talks, it sings and cheers but has no mouth.’
‘the drum, ‘ answered the children in unison.
I enjoyed my moment in the sun.

I travelled over land and seas,
Until I came before an old woman,
Wisdom marks in her beaming countenance,
She prepared a place for me next to her.
‘this is for you, oh! Messenger’ said she to me.

I travelled over land and seas,
Until I came to a ritual ceremony,
invited amidst ululation,
I showed them the drum beat,
I showed them how it brings harmony.

Beat! beat! drums!—blow! bugles! blow!
Make no parley—stop for no expostulation,
Mind not the timid—mind not the weeper or prayer,
Mind not the old man beseeching the young man,
Let not the child’s voice be heard, nor the mother’s entreaties,
Make even the trestles to shake the dead where they lie awaiting the hearses,
So strong you thump O terrible drums—so loud you bugles blow.
Beat! Beat! Drums!

some waves
a wave of now
a trombone speaking to you
a piano is trying to break a molecule
is trying to lift the stage into orbit
around the red spotlights

a shadow
the shadows      of dancers
dancers     they are dancing    falling
out that space      made for dancing

they should dance
on the tables            they should
dance inside of their drinks
they should dance on the
ceiling they should dance/dance

thru universes
leaning-moving
we are traveling

where are we going
if we only knew

with this rhythm    with
this banging     with     fire
with this     all    this    O
my god i wonder    where are
we going
sink into a room full of laughter
full of happiness     full of life
those dancers
the dancers
are clapping their hands
stomping their feet

hold back them tears
all those sentimental stories
cooked uptown       if you can           hold it for after

we are going
away-away-away
beyond these wooden tables
beyond these red lights
beyond these rugs & paper
walls beyond way past
i mean way past them clouds
over the buildings    over the
rivers    over towns    over cities
like on rails   but faster   like
a train    but smoother
away past stars
bursting with drums.

2

a sudden misunderstanding
a cloud
full of grayness
a body thru a store window
a hand reaching
into the back
pocket
a scream
a piano is talking to you
thru all this
why don’t you answer it.

Latin and Soul
Victor Hernández Cruz, 1949