Well if you can’t beat them, join them.
Here is playlist #3 from the Feminatronic SoundCloud site
Well if you can’t beat them, join them.
Here is playlist #3 from the Feminatronic SoundCloud site
As the website states:
OPENSIGNAL is a collective of artists based in Providence RI concerned with the state of gender + race in experimental electronic-based sound and art practices. We host technical skillshares, critical discussions, and events featuring artists pushing the boundaries of thought and practice in electronic performance.
OPENSIGNAL compilation records are now available – limited to 100 copies.
There are 8 artists on this coke-clear 12″ vinyl record: Asha Tamirisa, Wilted Woman (cc Eel), Caroline Park, Blevin Blectum, Claire Kwong, Bridget Feral, Lucy Lewis, Akiko Hatakeyama.
This is a new feature for Feminatronic where each month I will be highlighting the music of women who create and produce electronic music in all its’ forms.
This month, I thought that I would start with one of the giants in electronic music creation, development and innovation –
As her website says:
PAULINE OLIVEROS is a senior figure in contemporary American music. Her career spans fifty years of boundary dissolving music making. In the ’50s she was part of a circle of iconoclastic composers, artists, poets gathered together in San Francisco. Recently awarded the John Cage award for 2012 from the Foundation of Contemporary Arts, Oliveros is Distinguished Research Professor of Music at Rensselaer Polytechnic Institute, Troy, NY, and Darius Milhaud Artist-in-Residence at Mills College. Oliveros has been as interested in finding new sounds as in finding new uses for old ones –her primary instrument is the accordion, an unexpected visitor perhaps to musical cutting edge, but one which she approaches in much the same way that a Zen musician might approach the Japanese shakuhachi. Pauline Oliveros’ life as a composer, performer and humanitarian is about opening her own and others’ sensibilities to the universe and facets of sounds. Since the 1960’s she has influenced American music profoundly through her work with improvisation, meditation, electronic music, myth and ritual. Pauline Oliveros is the founder of “Deep Listening,” which comes from her childhood fascination with sounds and from her works in concert music with composition, improvisation and electro-acoustics. Pauline Oliveros describes Deep Listening as a way of listening in every possible way to everything possible to hear no matter what you are doing. Such intense listening includes the sounds of daily life, of nature, of one’s own thoughts as well as musical sounds. Deep Listening is my life practice,” she explains, simply. Oliveros is founder of Deep Listening Institute, formerly Pauline Oliveros Foundation.
Album: Sanctuary (1995).The Deep Listening Band was founded in 1988 by Pauline Oliveros, Stuart Dempster and Panaiotis. David Gamper replaced Panaiotis in 1990. The band is named after Oliveros’ term, concept, program and registered servicemark of the Deep Listening Institute, Ltd., Deep Listening, and specializes in performing and recording in resonant or reverberant spaces such as cathedrals and huge underground cisterns including the 2-million-US-gallon (7,600 m3) Fort Worden Cistern which has a 45 second reverberation time.
Well if you can’t beat them – join them.
Feminatronic is now on SoundCloud and here is playlist #2
A BLOG ABOUT WOMEN IN ELECTRONIC MUSIC
As Her Beats states…
It all started with the Women in Electronic Music Last.FM group in 2008. A couple of years later we expanded to a FACEBOOK page, and now we’re a blog! Hopefully we can add something a little extra to WEM at Her Beats, though posts will continue to cross over (more or less) between platforms.
A very interesting article from Tara Rodgers
*a companion piece of this research, on electronic sounds as lively individuals, is forthcoming in the American Quarterly special issue on sound, September 2011.
Not long ago, while researching the history of synthesized sound—or taking a break to troll for interesting synthesizers for sale online (activities that, for me, inevitably blend together)—I came across a thriving industry of small companies that offer custom-made wood panels to adorn the sides of old and new synths, like Synthwood, Custom Synths, Analogics, and MPCStuff.
As Trevor Pinch and Frank Trocco note in Analog Days, their history of Moog synthesizers, an “analog revival” is underway: “Today in the digital world, there is a longing to get back to what was lost” (9). The music technology magazine Sound on Sound concurs, documenting a renewed interest among electronic music-makers in modular synthesizers like those popularized by Moog and others in the…
View original post 1,523 more words
Techne was started in 2010 by Suzanne Thorpe and Bonnie Jones, educators and musicians active in electronic music communities in the US and abroad.
Techne’s mission is to democratize technical tools within a safe environment for exploration, risk taking and creative expression.
Deadline: Monday 16th June 2014
The inaugural SGFA, focusing on the role of gender in sound-based arts and experimental musics, took place in May 2012 following the Her Noise: Feminisms and the Sonic symposium at Tate Modern. We are delighted to announce a call for participation in the 2nd Sound::Gender::Feminism::Activism post-graduate research event to take place in London on October 16th and 17th 2014. SGFA::2014 will expand upon the 2012 event and we invite presentations of twenty minute formal research papers or ten minute emerging researcher/artist presentations sharing recent or ongoing work, addressing the question
What, in the historical present, might constitute an activist life in sound?
This is an open call and we welcome responses from all relevant disciplines and will accept a variety of formats from academic presentations, proposals for artworks and documentation of artworks to more experimental contributions.
Please send expressions of interest, including the theme, topic and format of your presentation, of around 200 words and a short biography of no more than 200 words by Monday 16th June 2014 to SGFA2014@crisap.org We will let you know if your submission is accepted by July 9th 2014.
Journal of Popular Music Studies special issue on Nightlife and Global Club Cultures
Proposed Special Issue of the Journal of Popular Music Studies
Guest Editors: Madison Moore and Francisco Raul Cornejo
200 Word Proposals Due: Friday, August 15th 2014
Proposal Submission: madison.moore@kcl.ac.uk and frcornejo@aya.yale.edu
Further information here
Thanks to Pink Noises for highlighting these articles.
Centre for Computer Research in Music and Acoustics
PAULINE OLIVEROS VLOG AT 80
Free album alert from Magnetic Wind.
Downloadable mp3 album, Asleep Next To You. http://freefloatingmusic.bandcamp.com/album/asleep-next-to-you .
Just download and play…. great sleep drift, meditative music. See the video at magneticwind.com
EM15 Festival
Dedicated to live performance and forward thinking visions in sound and image, EM15 promises festivalgoers an expansive and multidimensional experience!
Artists who are involved –
I thought it might be an idea to highlight a collection of tracks available to listen, download and buy, by female electronic artists. Music Box is just like a box of chocolates – varied and sometimes not to everyone’s taste but overall, demonstrating the eclectic nature of music creation. Dive in and sonically eat more than one…
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