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FEMINATRONIC FACEBOOK NEWS UPDATE

June 2, 2014 Feminatronic

 

sound gender

The 2nd Sound::Gender::Feminism::Activism post-graduate research event seeks to query the place and performance of activism within discourses and practices of sound arts, sound-based arts and experimental musics that are engaged with gender, feminist and queer politics.CALL FOR CONTRIBUTIONS: SGFA::2014London College of Communication, University of the Arts LondonOctober 16th – 17th 2014

Deadline: Monday 16th June 2014

The inaugural SGFA, focusing on the role of gender in sound-based arts and experimental musics, took place in May 2012 following the Her Noise: Feminisms and the Sonic symposium at Tate Modern. We are delighted to announce a call for participation in the 2nd Sound::Gender::Feminism::Activism post-graduate research event to take place in London on October 16th and 17th 2014. SGFA::2014 will expand upon the 2012 event and we invite presentations of twenty minute formal research papers or ten minute emerging researcher/artist presentations sharing recent or ongoing work, addressing the question

What, in the historical present, might constitute an activist life in sound?

This is an open call and we welcome responses from all relevant disciplines and will accept a variety of formats from academic presentations, proposals for artworks and documentation of artworks to more experimental contributions.

Please send expressions of interest, including the theme, topic and format of your presentation, of around 200 words and a short biography of no more than 200 words by Monday 16th June 2014 to SGFA2014@crisap.org We will let you know if your submission is accepted by July 9th 2014.

 

Nightclub

 

Journal of Popular Music Studies special issue on Nightlife and Global Club Cultures

Proposed Special Issue of the Journal of Popular Music Studies

Guest Editors: Madison Moore and Francisco Raul Cornejo

200 Word Proposals Due: Friday, August 15th 2014

Proposal Submission: madison.moore@kcl.ac.uk and frcornejo@aya.yale.edu

Further information here

Thanks to Pink Noises for highlighting these articles.

 

women in Computer Music

Centre for Computer Research in Music and Acoustics

Women in Computer Music – SuperCollider Workshop Scholarship

Summer workshop opportunity to study SuperCollider

 

PAULINE OLIVEROS VLOG AT 80

MAGNETIC WIND FREE DOWNLOAD

Free album alert from Magnetic Wind.

 Downloadable mp3 album, Asleep Next To You. http://freefloatingmusic.bandcamp.com/album/asleep-next-to-you .

Just download and play…. great sleep drift, meditative music. See the video at magneticwind.com

 

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Previous PostEM15 FESTIVALNext PostWEB FOCUS – TECHNE

Celebrating the eclecticism of Electronic Artists who identify as female

#Rolemodels – Maryanne Amacher ( 1938 – 2009 ) American Composer and Artist – Pioneer of Electronic Music

Maryanne Amacher ( 1938 – 2009 ) – American Composer and Artist.

ABOUT FEMINATRONIC

In a nutshell, Feminatronic is about celebrating and highlighting the musical creativity of electronic artists who just happen to identify as female. It includes women from all genres of electronic music making, producers, engineers, sound artists, writers, bloggers, DJs, organisations and websites, all of whom combine to make electronic music interesting and evolving, building upon great historical foundations.
It is a personal voyage of discovery and as such, is an on-going evolving site that is perennially under construction, which is a good thing.

Feminatronic believes in co – operation, collaboration and support of all creatives, not only to shine a spotlight on artists but also bloggers, reviewers and writers, who are vital in spreading the word about all the great music out there.
As such this is, and has been since the start, a site that acts as a portal to other sites’ content via reblogging from the original sources / sites. Many thanks to the reviewers, writers, bloggers and websites who allow me to reblog their articles here and on other platforms.

Finally, thanks for supporting Feminatronic. You are not supporting me personally but the many artists who deserve to have greater visibility.

 

 

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