WEB FOCUS – CITIES AND MEMORY

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In the words of the Cities and Memory site:

What is Cities & Memory?

Cities and Memory is a global field recording & sound art work that presents both the present reality of a place, but also its imagined, alternative counterpart – remixing the world, one sound at time. Every faithful field recording document on the sound map is accompanied by a reworking, a processing or an interpretation that imagines that place and time as somewhere else, somewhere new. The listener can choose to explore locations through their actual sounds, to explore reimagined interpretations of what those places could be – or to flip between the two different sound worlds at leisure.

ANNOUNCEMENT: Colleen plus special guest Caoimhín Ó Raghallaigh / Cork Opera House / Sunday 3 May 2015

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We’re delighted to announce a special double-bill concert comprising the world-renowned composers Colleen (France) and Caoimhín Ó Raghallaigh (Ireland). Each artist has developed a wholly unique playing style and highly distinctive approach to their own respective instrument of choice: Colleen’s viola da gamba and Ó Raghallaigh’s Hardanger d’Amore fiddle. Taking place on the May Bank Holiday Weekend, this concert will be Colleen’s only Irish performance of 2015 in support of her soon-to-be-released fifth studio album on Thrill Jockey Records. In addition, this one-off concert will take place in the intimate setting of the Cork Opera House where the stage itself will be shared by both musicians and audience alike, making for a an unforgettable experience. Colleen plus special guest Caoimhín Ó Raghallaigh performs at Cork Opera House on Sunday 3rd May 2015, tickets are €17.50.

Tickets will be available from Cork Opera House tomorrow, Thursday 15th May:

http://www.corkoperahouse.ie/content/french-composer-colleen-special-guest-caoimh%C3%ADn-ó-raghallaigh-perform-special-double-bill-may

Colleen by Iker Spozio_1_web

COLLEEN (FRA)

The Paris-born…

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Jane Ayres on ‘If you are a composer, does age matter?’

Couldn’t have put it better myself…

7 Field Recording Clichés You’re Probably Guilty Of.

I often have a Quasimodo moment : )

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1 | Thoreau.
Put Walden down, now. You haven’t ‘just discovered’ how Thoreau was, like, totally ahead of R. Murray Schafer.  That pond is teeming with hydrophones at this stage.

Thoreau Unimpressed: Thoreau

| Contact microphones and melting ice, or the go-to first timer experiment the moment the kit is unboxed.

3 | The pensive, looking-in-the-distance-while-monitoring biog shot. This one’s fairly unavoidable. We’ve all been there.

4 | Soundmaps. As apps and GPS make the collection of a ginormous amount of mediocre-to-atrocious quality sounds possible from all conceivable sources including your granny’s Nokia, this really isn’t worth pursuing any further. Moving on.

5 | Tweeting exclusively about your ‘Upcoming Releases’ on that label (what was it again…oh, right. The one set up by you.)  Zero likes.

6 | Bells. In the wise words of professional recording Gandalf Mikael Fernstrom: ‘Every sound student has his Quasimodo moment’. Let it…

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10 New Year Tips for Sound Artists and Field Recordists (inspired by ‘The Painter’s Primer’)

Great advice in this article and am going to try and put some of it into action.

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Many of you will be familiar with John Cage’s famous 10 Rules for Students and Teachers from 1968, which are a constant source of inspiration.  Recently I have come across a similar set of good advice through a different discipline (painting). This blog post recirculated the advice of Irwin Greenberg, a teacher at the High School of Art & Design and the Art Students League of New York who passed away in 2009 age 87.  Although we work with audio and not visual arts, I believe some of the best tips and advice can come from cross-pollination with other disciplines, and as such I dived into the long list (100!) to find a lot of advice easily applicable to any creative pursuit. Some I don’t necessarily agree with, but others are great.  The 10 I have picked and listed below are the ones that in my opinion are wonderful advice and encouragement for us sound artists…

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Travelogue: Week 2015-02

Discovery listening…..

MUSIC THAT REMINDS ME OF WINTER Pt 3

FIELD RECORDING AND MUSIC SEASON ON FEMINATRONIC

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So it is the start of a new year for Feminatronic and I was thinking what should I cover next as a subject and whilst mooching around looking for interesting items to highlight I thought, OK let’s look at the craft of Field Recordings and subsequent music created from Field Recordings. I am no expert in this area but I will try to cover as much of the work of female artists in this field ( no pun intended). Yes……a Season on Field Recordings, starting with….. Alastair R. Nobles’ article about the development of the concept of sound as music,which is my starting point for this season.

Winter Music Preview 2015

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Snowflake iPhoneHappy New Year!  We’ve finally finished our year-end lists, reflections, and vacations, and are about to turn our ears to the new.  With nearly 75 new releases on the horizon for January and February alone, 2015 is already shaping up to be a winner.  We’ve had the privilege of hearing many of these albums in full, and samples of many more.  If you just want to hear the sounds, head over to our News page, which is a constantly updated scroll of upcoming music.  But for initial observations and picks, stay right here!

A huge congratulations to all those artists and labels who sent their press releases out early.  Advance notice is definitely the way to go.  A happy and healthy new year to all!

Our gorgeous cover image comes from journalist, photographer and educator Tara Haelle at Tara Incognita.  Tara writes about family, art, and social and health…

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Celebrating the eclecticism of Electronic Artists who identify as female