Courtesy to SoundGirls.Org for another great spotlight interview.
Breaking the Barriers of Sound from Colombia
Courtesy to SoundGirls.Org for another great spotlight interview.
Courtesy to SoundGirls.Org for another great spotlight interview.
Courtesy of Hayley Wanless for this post that contains appraisals of soundart from Laurie Anderson and Janet Cardiff.
Whilst visiting the ‘Listening’ exhibition at the Sheffield Institute of Arts Gallery and the Site Gallery I thought about how our actions interact and alter sound. The space is curated by Sam Belinfante and the exhibition shows us that listening is not solely through the ears but is also through the functions within our brain.
My favourite piece was Laurie Anderson’s ‘The Handphone Table’ (1978). Anderson’s work causes you to interact with the piece with your whole body. I sat down at the table and placed my elbows on the table top with my hands covering my ears and could feel the sound vibrate through my body. The sound cannot be heard until you touch the piece with your body. At one end of the table the sound was vocal tones and the other end was musical tones. This work was extremely interesting and made me think of how our interactions with…
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Not too late for this….
I am delighted my work Spiritual Radio, a transmitting FM book, has been selected for The Engine Room International Sound Art Exhibition. The show is happening at Morley College Gallery and features work by the work and other finalists for the engine room sound art competition, supported by TC Electronic, Tannoy, Mogami and HBB Communications.
Dates: 12 May – 12 June 2015 Private View: 11 May 2015 Opening times: Monday – Friday 11:00-18:00 Saturday 12:00-16:00 Sundays, bank holidays and Saturday 30 May closed Venue: Morley Gallery, 61 Westminster Bridge Road, London, SE1 7HT
Entry: FREE – See more at:
https://engineroomlondon.org/pages/exhibition/
An expert panel of judges, electroacoustic composer, Professor Simon Emmerson and established artists, composers and performers, Ray Lee and Mira Calex will select winners, which will be announced during the opening night of the exhibition on 11 May.
22 works from emerging sound artists from Singapore, Russia…
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Here is Todays’ Discovery via Ekho, Women in Sonic Art – Ruth White
:::::::::::: Ekho :::::::::::: Women in Sonic Art
“Ruth White (born 1925) is an American composer known for her electronic music compositions. While most of her career was dedicated to educational recordings, she is perhaps most famous for being an electronic music pioneer, most notably for her early explorations of sound using the moog synthesizer…”
I am listening to this now and very interesting thoughts here…
Ora 21: Rest
Daniela Cascella and Salomé Voegelin, with James Wilkes
28 May 2015
8pm
Resonance 104.4FM
For this episode of Ora, Daniela Cascella and Salomé Voegelin invite poet and researcher James Wilkes for an hour of conversations, readings, moments of listening and looking, around the elusive notion of rest. A category only grasped through difference and through context, rest is discussed and thematised by Cascella, Voegelin and Wilkes by considering rest as interval, rest as social code and habit, rest as pause in reading and writing, and rest as critical device.
The moon was but a chin of gold
A night or two ago,
And now she turns her perfect face
Upon the world below.
Her forehead is of amplest blond;
Her cheek like beryl stone;
Her eye unto the summer dew
The likest I have known.
Her lips of amber never part;
But what must be the smile
Upon her friend she could bestow
Were such her silver will!
And what a privilege to be
But the remotest star!
For certainly her way might pass
Beside your twinkling door.
Her bonnet is the firmament,
The universe her shoe,
The stars the trinkets at her belt,
Her dimities of blue.
A tiny moon as white and small as a single jasmine flower
Leans all alone above my window, on night’s wintry bower,
Liquid as lime-tree blossom, soft as brilliant water or rain
She shines, the one white love of my youth, which all sin cannot stain.
1932 – Pauline Oliveros, American accordion player and composer (Deep Listening Band). Happy 83th! #30M #wiki
— Wiki Birthday 🙂 (@wikibirth) May 30, 2015
Female composer Pauline Oliveros interested in meditation practices wrote Crow Two where performers communicate with audience via telepathy
— SJR Music Department (@Sjr_Music1) May 30, 2015
http://t.co/AdDPuWhSAo via @youtube I don’t need an excuse to play my favourite Pauline Oliveros video but today gives me an extra excuse
— feminatronic (@feminatronic) May 30, 2015
‘Freudian Feedback’ (modified sitar + tabla) + ‘Turtlebox’ (hand-made instrument) at the Noise Colloquium – University of Greenwich 22 March 2015.
© Poulomi Desai and Dushume (aka Amit Patel)
The University of Greenwich hosted a two-day colloquium to explore noise as a concept that embraces the expressive, the idea of noise as a resistance and, through mutating repetition, a catalyst for creative production. Other speakers and performers included David Toop, Nicolas Collins (Art Institute of Chicago), Atau Tanaka (Goldsmiths University), Andrew Hill, Stephen Kennedy, Ian Thompson (University of Greenwich) Melanie Clifford, Sarah Sparkes, Rie Nakajima and Dirty Electronics.
Special thanks to John Richards (Dirty Electronics) and Andrew Hill (University of Greenwich).
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