For one deep Listening Pauline Oliveros, décédée le 25 novembre à l’age de 84 ans, fut incontestablement une très grande dame de la musique contemporaine, expérimentale, minimaliste et de ce que l’on nomme aujourd’hui les arts sonores. Son accordéon ne soufflera plus à nos oreilles ses longues mélopées, ses drones envoûtants, ses accords resserrés, cette […]
via Quand un accordéon se tait ! Disparition de Pauline Oliveros — DESARTSONNANTS – SONOS//FAIRE
Meryll Ampe a sorti un premier EP sur label espagnol Audiotalaia http://www.audiotalaia.net/2016/11/at083-meryll-ampe-void-if-removed.html A écouter .. en attendant sur Tsuku🙂
…and you can get the tape here…
https://arandel.bandcamp.com/album/bog-bog-the-electronic-ladyland-mixtape
Up until the 1st of October 1916 Ireland was on Dublin Mean Time, which was 25 minutes and 21 seconds behind Greenwich Mean Time. On that day, when England put its clock back by an hour for Winter, Ireland put its clock back by 35 minutes and ended the historic time difference between the two countries.
Mean Time is a collaborative art project inspired by this event and in particular by Countess Markievicz’s opposition to what she saw as one more act of colonial oppression: the imposition of a foreign time on what should have been a sovereign people.
The project is bringing ten professional female sound artists from Ireland and abroad to the historical location of Richmond Barracks in Dublin city, where 77 women were remanded after their involvement in the 1916 Rising- including Countess Markievicz herself.
They will perform a unique improvisation based on especially commissioned pieces on the theme of these lost 25 minutes and 21 seconds, for the anniversary of the abolition of Dublin Mean Time.
The event will combine contemporary music, performance art, radio art and electroacoustic composition, ‘clawing back’ time lost and imagining many possible future Irelands. The programme will be broadcast live on Nova, RTÉ Lyric FM.
The participating artists are Daria Baiocchi | Fiona Hallinan | La Cosa Preziosa | Vicky Langan | Úna Lee | Olivia Louvel | Jenn Kirby | Claudia Molitor | Gráinne Mulvey | Rachel Ní Chuinn
In addition, a series of free sound art workshops for all the family will also take place on the grounds of Richmond Barracks on Saturday 1st October. For more info: http://facebook.com/ meantime1916
Both performance and workshops are free but ticketed. To book please email: meantime1916@gmail.com
Mean Time is made possible thanks to the support of Dublin City Council and The Arts Council.
from TECHNE:
Dearest Electronic Musician and Artist,
You’re invited to participate in an experiment to map a history of women in electronic music for Sound American and it will only take a moment of your time!
…
TECHNE (Suzanne Thorpe & Bonnie Jones) have been invited by Nate Wooley, founder of the periodical Sound American, to create a graphic visualization illustrating a history of women in electronic music. The graphic will be published in the January 2017 print version of Sound American whose theme is “Networking.”
Here’s what you need to do to participate:
SUBMIT this form online with names of influential female electronic musicians https://goo.gl/forms/Fet9CLbmfkma1VPC2
CUT & PASTE & FORWARD our request (the entire email text) to a female-identified music colleague who is important to you
DEADLINE we need all responses by the end of the month, so take a moment right now to send this out into the world!
REVERSAL OF THE MUSE is a new blog curated by Laura Marling that explores femininity in creativity.
The first podcast presents an interview with Vanessa Parr, sound engineer at The Village Studios in LA for 10 years, close collaborator of Elton John, B.B. King, Coldplay and John Mayer amongst others, and now independent sound engineer.
I find very interesting Laura Marling’s chat with Vanessa Parr where Vanessa recalls how she broke into a male dominated field, where female engineers are few and far between (the actual interview begins at 2’27”).
https://soundcloud.com/reversalofthemuse/in-conversation-with-vanessa-parr
This new blog has been shared on FB by the great mastering engineer Mandy Parnell.
Here is another video where Vanessa Parr discusses how she broke into the recording engineering field. It is no surprise that she states “I went to a number of studios where they say: ‘We don’t hire girls! We hire girls to be client-service-girls’ “.
<p><a href=”https://vimeo.com/46336808″>Women In Rock’s…
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This month we’re delighted to have Dr. Leah Barclay, Co-Chair of Sonic Environments, and President of the Australian Forum for Acoustic Ecology , guest-curate this playlist: Sonic Environment Waves. About the playlist, Leah writes: This playlist features composers who are working in innovative ways with place, environmental sound and new technologies. It has been curated to […]
via Sonic Environment Waves — MAKING WAVES
Although not strictly electronic – “Making Waves is a monthly series of curated playlists streaming one hour of quality, new composed music. Founded in 2015, Making Waves shines a spotlight on the music of Australian composers. Fresh playlists are released on the first day of each month and older playlists are made available all year round via our archives; perfect for those with just a few minutes to explore one track or for hours perusing a myriad of diverse sound-worlds.”
c i r c e :the black cut: Open Call 2016 Deadline: September 04, 2016 [Phase #1] Website: annastereoscopic.wordpress.com/κίρκη-circe/ International Open Call: CIRCE :The Black Cut: 3rd Presentation The New International Open Call of Participation in the 3rd Presentation of CIRCE The Black Cut consists of 3 Phases and its new Theme is ‘CIRCE The […]
via c i r c e : the black cut [v.3] ~ open call 2016 — A STEREOSCOPIC perspective of Music & Art©
As with the spellbinding Musica Endoscopica, this issue of Immagini Per Diana Baylon – one of her three known soundtracks for art installations – helps to place Teresa as Italy’s answer to Daphne Oram; that is, a pioneering female experimenter operating in a male dominated field since the ’50s, and an artist/musician/technician who was magnetically drawn to the emerging possibilities […]
via Immagini Per Diana Baylon: new vinyl by Teresa Rampazzi — laura zattra
24 – 26 June 2016 St John’s Smith Square 24th June – 7.30pm concert with LCO 25th, 26th June – from 3pm each day An alternative title for this three day festival in St John’s Smith Square produced by Southbank Centre might be “Slow Change Music”. Through an extended email conversation with Laurie Spiegel…
Feminatronic 
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