Category Archives: Interviews

Reblog Interview – Step Right Up: Ekin Fil

admin's avatarFRACTURED AIR

What I mean is music was a part of my growing up as a person and i want it to be that way always.”

—Ekin Fil

Words: Mark Carry

ekin17

PHOTOS BY ERİNÇ GÜZEL

Turkish solo artist Ekin Fil has been carving out some of the most breath-taking and beguiling drone pop explorations these past few years, inhabiting the deep, ethereal dimension of Grouper’s Liz Harris and navigating the deepest depths of the human condition in the process. On the latest opus ‘GhostsInside’ – released earlier this summer on Los Angeles imprint Helen Scarsdale Agency – an undeniable catharsis permeates deep within these recordings: fragile vocals shimmer gently amidst spare elements of piano notes or reverb laden guitar swells, creating utterly hypnotic drone pulses and far-reaching shoegaze deconstructions.

The opening ripples of bass piano notes of ‘LetGo’ hang in the air- an ocean of…

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Article Reblog – Gudrun Gut’s Monika Enterprise Label Turns 20

Reblog – LCNL 085: Your Grace Adrianna Natalie presents Another Side

…and not so quiet start to the week but has led to my Today’s Discovery – The Unseen Shadows (ALRN069)
by Your Grace Adrianna Natalie

 

Joseph Sannicandro's avatara closer listen

Over the years we’ve featured several mixes from the Alrealon Musique. This mix comes courtesy of Your Grace Adrianna Natalie, the most recent artist to join the label. Her debut EP The Unseen Shadows was released last November, showcasing her penchant for unconventional techno and dark moods. This mix weaves her own tracks in with kindred spirits (Regis, Dasha Rush, and Orphx), fellow New Yorkers (Chanski), sacred ancestors (Throbbing Gristle) and more. (Joseph Sannicandro)

Download/listen at Soundcloud (at least for now…)

MINI-INTERVIEW

Please introduce yourself.

I was born and raised in New York, in The Bronx.

I am currently living in Jersey City, but spend most of my time in NYC for work and Brooklyn for technoing with my techno sisters and brothers. Lately, I’ve been spending lots of time in my studio, playing with my sexy toys.

Growing up music was my best friend, its what…

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Focus Reblog – In the studio with Poppy Ackroyd

Let’s start at the very beginning. Can you tell us how you got involved in composing, and what was your very first piece of gear? My first piece of equipment was an Electro Harmonix 2880 super multi-track looper. It looks really simple but is surprisingly versatile. I wrote the original version of my track ‘Grounds’ […]

via In the studio with Poppy Ackroyd — Headphone Commute

 

Here’s another article about the composer Poppy Ackroyd and the methods and tech she uses in the studio to create her music.

Reblog – Duologue: A Conversation with Poppy Ackroyd — Stationary Travels

 

 

With her 2012 debut ‘Escapement’, Brighton-based composer Poppy Ackroyd entered the same rare air as such esteemed innovators of modern classical and electronic music as Nils Frahm and Hauschka. Classically trained on violin and piano, she creates utterly mesmerizing music by manipulating and multi-tracking sounds primarily from these two instruments in sometimes unconventional ways, an approach […]

via Duologue: A Conversation with Poppy Ackroyd — Stationary Travels

Reblog – The Transcendent Sound of Dustin Wong and Takako Minekawa

Joyous creativity when I listen to this release : )

Reblog – Re-orienting Sound Studies’ Aural Fixation: Christine Sun Kim’s “Subjective Loudness”

 

Recommended reading and challenging the idea that listening is just with the ear, it does demand use of all senses.

smayberryscott's avatarSounding Out!

Editors’ note: As an interdisciplinary field, sound studies is unique in its scope—under its purview we find the science of acoustics, cultural representation through the auditory, and, to perhaps mis-paraphrase Donna Haraway, emergent ontologies. Not only are we able to see how sound impacts the physical world, but how that impact plays out in bodies and cultural tropes. Most importantly, we are able to imagine new ways of describing, adapting, and revising the aural into aspirant, liberatory ontologies. The essays in this series all aim to push what we know a bit, to question our own knowledges and see where we might be headed. In this series, co-edited by Airek Beauchamp and Jennifer Stoever you will find new takes on sound and embodiment, cultural expression, and what it means to hear. –AB

A stage full of opera performers stands, silent, looking eager and exhilarated, matching their expressions to the…

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Reblog – Interview with Nite Jewel

 

 

We talked to the Los Angeles-based musician/producer about why she opted to release her own music and why she’s happy to let her alter ego do the emotional heavy lifting.

via Nite Jewel on the Highs and Lows of Being a Woman in the Music Industry — Bandcamp Daily

Article Reblog – Pauline Oliveros – Listening | Juno Plus

Some people just make a massive impression on the world ….

joannakalinowska's avatarjo kali

po_v1Pauline Oliveros muses on sixty years of experimentation and unorthodox practice and tells Jo Kali why we should be listening instead of merely hearing.

“First I listen,” Pauline Oliveros says. “When I perform now, with my accordion, there’s no score. There’s no thought about what I’m going to do. I come onto the stage and I just listen.” There’s a welcoming quality to Oliveros; her voice is soothing and her features warmly lit by slivers of sunlight escaping her drawn blinds. “Then I begin to play and I follow what it is I am playing,” she continues, “because it is my whole body that’s engaged in making the music. It’s not just centred in what I might think about it. It’s really what I do about it.”

Oliveros’ approach to music is slightly unconventional. As a composer, performer and teacher, she’s not interested in the final piece or her students reading…

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Introducing / Reblog – Experimental Pianist Kelly Moran on Electronics, Religion, & Running to Future