Category Archives: Bandcamp

Review Reblog – Gail Priest ~ Heraclitus in Iceland – A Closer Listen

From first hearing this release, I was blown away and if I get any money at Christmas, this will definitely be on my list.

postrockcafe's avatara closer listen

Iceland’s scenery is lovely yet savage.  The views are astonishing, from the Northern Lights to the purebred horses.  But storms can arise at any moment, and recent eruptions have solidified the nation’s reputation as the land of fire and ice.  One may drive up to a glacier on a one-lane road without guard rails, but if one should get in trouble, help may be late in arriving.  Last year a New Jersey tourist became famous for following his GPS six hours off course (having typed Laugarvegur  instead of Laugavegur, an easy mistake), briefly becoming a local celebrity; he then repeated the mistake on a drive to the Blue Lagoon.

Gail Priest captures the nation’s dichotomy in her dual-toned aural exploration, Heraclitus in Iceland.  The title refers to the philosopher who wrote, “You cannot step twice into the same river.”  Reading Heraclitus’ work while enjoying her residency in Olafsfjordur, the Australian sound artist…

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Today’s Discovery – Okoloreki by Wetwe Feat. Tatyana Kalmykova

 

“This release is full of mystical atmosphere, ambient sounds and Russian folk chants and instruments such as gudok and balalaika. This EP is also contained a works of Tatyana Kalmykova who reshape electronic with her wonderful voice and gudok performance.” 

 

Thanks to Yeah I Know it Sucks for the discovery of this beautiful release.

Review Reblog – Wetwe Feat. Tatyana Kalmykova – Okoloreki

It’s been a strange few weeks and I haven’t been able to keep up with things here but I’m kicking myself that I missed this…It is a wondrous thing to listen to…

kainobuko's avatarYeah I Know It Sucks

Artist: Wetwe Feat. Tatyana Kalmykova
Title: Okoloreki
Keywords: electronic experimental abstract ambient bass music downtempo drone folk modern classical russian folklor techno Moscow

I don’t know much about this music as I evidently avoided all the information that came with it as it appeared through our illustrious request form, but from my own ears and mind I could make up that this was a bit of a holistic revelation in sound ways. It was a calming one, that featured the prominent voice of a certain Tatyana Kalmykova that seemed to sing among the walls of ruins, or perhaps a still standing church with great acoustics. Sometimes her voice gets bounced into a room in which it still feels warm, yet the acoustics feel flat, a bit as if the bigness gets suddenly beamed through some old time radio.

But it’s not all about Tatyana Kalmykova’s voice, it’s also pretty much…

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Review Reblog – Heejin Jang – Trouble in the Camp

I came across Heejin Jang – Binary Breath via YIKIS last year and was interested to hear this new release. On listening, it’s excoriating…but in a good way.

kainobuko's avatarYeah I Know It Sucks

Artist: Heejin Jang
Title: Trouble in the Camp
Keywords:electronic experimental avant-garde experimental indie rock noise psychedelic rock synth United States
Label: Doom Trip

Unleashed on the special day of spookiness, the one that people named ‘Halloween’ are the fearful sounding spooky sounds from ‘Trouble in the Camp’ by Heejin Jang. It is best to hear it in complete darkness with the sound up loud and yourself hiding underneath a blanket of comfort. This music will bring out the shimmering demons of the night, the creepy crawlers & the audio ghouls that hammer their wooden sticks of magic in fierce-full depths, ready to haunt you for some poisoned candy.

Some of them come across cold and slimy, as if the ghosts of the many snails you have stepped on all throughout your life had now come to scare the hell out of you for a good old-time case of revenge…

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Review Reblog – Album of the Day: Colleen, “A flame my love, a frequency” — Bandcamp Daily

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In a world of horror, multi-instrumentalist Colleen’s loops, layers, and prose-poem lyrics feel medicinal.

via Album of the Day: Colleen, “A flame my love, a frequency” — Bandcamp Daily

Review Reblog – Izabela Dłużyk ~ Soundscapes of spring — A Closer Listen

Izabela Dłużyk’s Soundscapes of summer was A Closer Listen‘s favorite soundscape of 2016, and her latest album is just as remarkable. For this release, the artist has turned the dial back to spring, and we’re hoping (reasonably so) that the project will eventually become a quadriptych. The sounds here are as clear as any we’ve ever heard; […]

via Izabela Dłużyk ~ Soundscapes of spring — a closer listen

 

A thing of beauty is a joy forever….

 

 

Review Reblog – Stephanie Merchak – Collapsing Structures — Yeah I Know It Sucks

Artist: Stephanie Merchak Title: Collapsing Structures Keywords: experimental ambient electronic atmospheric electronic music harsh noise industrial San Diego Label: Silent Method Records Collapsing Structures by Stephanie Merchak is like a gigantic trip, one that goes on a personal tour inside the artist her mind, exploring the deepest corners without revealing any details, converting a lot […]

via Stephanie Merchak – Collapsing Structures — Yeah I Know It Sucks

ICYMI – Moor Mother – Fetish Bones

There is nothing to say as introduction…..Just listen.

 

Review Reblog – Moor Mother x Mental Jewelry – Crime Waves (Don Giovanni)

Moor Mother – An artist in ascendance who is not afraid to tell it as it is.
” File with Clipping as fellow noise-rap geniuses; both making some of the most dense and exciting music currently being released.”

earsforeyes's avatarEars For Eyes

a0013465926_10Moor Mother follows her amazing 2016 album, ‘Fetish Bones‘, a collection of home-recorded protest songs that are as fierce as they are strange, testaments to troubling time, with this, her second release on the Don Giovanni label. ‘Crime Waves‘ is a collaboration with producers Mental Jewelry. Continuing with the subject matter of ‘Fetish Bones’: racism and police violence, ‘Crime Waves’ packs an avalanche of sound and words into its shorter EP-length duration.

Coiling bass and echoing sonar-ping beats erupt from opening track, ‘Hardware’, Moor Mother repeating “is anybody out there?;” police brutality, blood and taser guns described with a pixelated noise-eroded voice. The vocal delivery is anguished and desperate: “how dare I exist?”; the music is an uneasy combination of sick-step rhythms, queasily pitching sound-levels and industro-scrape atmospherics bouncing off a brick-wall background. ‘Death Booming’ is a woozy low-key nightmare; low, slow and sparse; claustrophobic can-clack…

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Reblog – Petra Glynt Brings People Power to Her Experimental Pop

“You see more women taking charge as festival and event promoters [because] in order for this to change there needs to be more women organizing,” she says. “Soon, [gender inequities] will be a thing of the past.”

I hope so…