Category Archives: Bandcamp

Reblog – Interview with Kate Carr —

Kate Carr is a sound artist whose work investigates our relationship with the natural world, and explores place and non-place, being and imagining. Her music is often composed using field recordings and sounds sourced from location. Besides her recorded output and live performances, she has contributed to artist residencies that have taken her all over […]

via Interview with Kate Carr —

 

Lovely long interview here….

 

 

This piece explores sonic transmissions and emissions, radio, morse code, sonar, satellite, blue tooth, and wireless. From our efforts to track and transmit into our solar system using radio, to blue tooth connections across the room, this work examines the ephemeral sonic tools we use and the traces these leave as we attempt to reach each other. It is an ode to the fragility, dynamism and determination encapsulated in the ways we attempt to connect.

Contact is an edited version of a live performance at Radiophrenia Festival in Glasgow on May 15, 2019.

Listening to…

Here are a couple of releases that really caught my ear when on a journey into sound art.

Obviously this influential piece …

7704A – Tiger Balm
by Annea Lockwood

Experimental, chants, folk, meditation, traditional…and cat purring

“Each piece is concerned with evoking a force-sound, making this force/energy materialize and become quite clear to all there. The players then can’t just simply ‘learn to play’ my pieces, They’ll find themselves going through a training course to discover what is meant by sounds and their energy. To discover how to transcend through themselves. To learn the fine edge of sound as a destructive or misapplied force (un-perceived tone perhaps) and sound as transformer or as something wholeness making.”


Secondly this beautiful strangeness to the ear which is on my Christmas list –

Realm
by Realistic Monk (Carl Stone & Miki Yui)

Abstract, electronic, experimental.

#Rolemodels – Sound Art

So you know when I said I had a lot in my draft file, well here’s something I put together in 2015 when I started this journey and forgot to post but fits really well in #Rolemodels.

I have often wondered…

WHAT IS SOUND ART?

This was part of a series on Sound  Art and the women who have been and are, at the forefront of this highly eclectic and diverse art form but I never posted this until now…

soundartSound art is here to stay

Sound artist Susan Philipsz’s inclusion on the Turner prize shortlist should make Britain sit up and listen

 

A listener takes in Susan Hiller’s Magic Lantern pieceHear hear: Artangel sound art comes to Radio 4

John O’Mahony asks leading sound artists if their work is moving closer to the mainstream

 

annea lockwood

ANNEA LOCKWOOD

          



Noble_Bio

MARGARET NOBLE

 



SUSAN PHILIPSZ

SUSAN PHILIPSZ

Who is Susan Philipsz?



miki yui selfportrait 2011

MIKI YUI

Listening to…

Ethereal dark undercurrents –

KOMA
by Ekin Fil
Ambient, atmospheric, experimental, electronic, lofi, meditation, soundscape

Released May 3, 2019

ICYMI – Heejin Jang – Trouble in the Camp — Yeah I Know It Sucks

At the moment, I am in semi offline state trying to get some projects of my own finished. However, I will not be abandoning things completely and anyway it gives me a good chance to finally post things that have mysteriously been left in my drafts, for a long time.

Let’s begin with this excoriating in a good way release from 2017 –

 

Artist: Heejin Jang Title: Trouble in the Camp Keywords:electronic experimental avant-garde experimental indie rock noise psychedelic rock synth United States Label: Doom Trip Unleashed on the special day of spookiness, the one that people named ‘Halloween’ are the fearful sounding spooky sounds from ‘Trouble in the Camp’ by Heejin Jang. It is best to hear […]

via Heejin Jang – Trouble in the Camp — Yeah I Know It Sucks

Reblog – Album of the Day: Eve Maret, “No More Running” — Bandcamp Daily

 

The Nashville artist’s work has the slippery strangeness of electronic music from the late ’70s and early ’80s.

via Album of the Day: Eve Maret, “No More Running” — Bandcamp Daily

 

Also my album of the day too : )

Listening to…

CosmoTengri
by Angelina Yershova

Electronic, dark ambient, experimental electronic, indie folk, modern classic, piano, drone, postmodern.

Review Reblog – Angelina Yershova ~ CosmoTengri

This has been on my listening list since I read this review, thank you A Closer Listen.

captainfreakout's avatara closer listen

We all have some idea of what the words “shamanistic” and “ritual” mean in the context of music, and in general they’re associated to clear-cut rhythms and repetitive structures thanks to certain historical connections with the African diaspora. But Angelina Yershova comes from a context where those words translate into practices different from those ecstatic meditations many of us have come to identify as ritualistic. CosmoTengri is a collage of “cosmos” and “Tengri”, which is the ancient Turkic/Mongolian word for a deity, the “Blue Eternal Heaven”. As if the sky wasn’t enough, the fusion of the words has a universal aim, emphasizing the sheer vastness of a world that the self-mythologization of reason has endeavored to expropriate, to take all it can without ever giving back. Constantly referring to nature via track titles, the album leads the listener towards environmental communion through a different path to those that entail a…

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Review Reblog – Seffi Starshine – Goddess of the Calm Waters — Yeah I Know It Sucks

Artist: Seffi Starshine Title: Goddess of the Calm Waters Keywords: dark drone ambient electronic ambient dark ambient dark drone drone drone ambient drone dark ambient experimental edm vaporwave witchwave Portland Label: Girly Girl Musik To battle the kind drunkenness of too much dangerous Belgian beers I went into a wonderful land created by Seffi Starshine. […]

via Seffi Starshine – Goddess of the Calm Waters — Yeah I Know It Sucks

 

“Something that comes at us from a different dimension, one way bigger than life, like an enigmatic untouched force that covers our entire hearing range completely, embracing everyone like a miraculous motherly force that feels protective and gentle at the same time”….Beautifully said.

Listening to…

Following on from the Yeah I Know it Sucks review of  AA0020 by tendencyitis , I had a look through the FLUF catalogue and found these that you may be interested in  –  Sonically bite sized too but not superficial for that.

AA0013
by Agnès Pe

Electronic, music, sounds, techno


AA0016
by Sarah Rasines

Electronic music, sounds, techno