Category Archives: Introducing

Today’s Discovery – Ghost on the Stairs – Meemo Comma

 

Meemo Comma is the new alias of Objects Limited boss Lara Rix-Martin. She previously released as Lux E Tenebris and as one half of the duo Heterotic (on Planet Mu). Her label Objects Limited issues a variety of electronic music from an exclusively women and non-binary roster.

‘Ghost on the Stairs’ explores how Lara Rix-Martin perceives sounds, as she has Auditory Processing Disorder. APD mostly affects how a person processes speech internally; background noises merge with language and every background sound has equal relevancy making it hard for an APD listener to understand voices, music and disentangling multiple audio sources.

Merging speech and voice into a strange and alien form has always been the core of  Lara Rix-Martin’s sound, but it’s given a stronger focus on this album. Incorporating similar meditative influences to her ‘Cyclizine’ EP; drones feature with a maximal/minimal all-encasing feeling that flickers between comforting numbness and anxiety. Tracks such as ‘Caturday’ and ‘Online Persona’ explore rhythms in the spaces in between the beats. “I’ve always found it interesting to think of rhythms in a negative way, what beats aren’t there, the spaces between”.

Released September 1, 2017

The album is also included on the Bandcamp Daily weekly roundup of essential releases –

This Week’s Essential Releases: Saharan Guitar, Somber Electronics, and Nerd Rap

 

Review Reblog – Dendera Bloodbath – Inanna at the Gates

I’m a great believer in giving lesser well known artists a bit of a spotlight and many I find via Yeah I Know it Sucks.
Today’s Discovery, Dendera Bloodbath’s Inanna at the Gates is an experimentation in visceral noise.
Currently she performs both experimental darkwave sets with autoharp and noise sets with electronics of her own design. For more info, visit: http://www.denderabloodbath.com

kainobuko's avatarYeah I Know It Sucks


Artist: Dendera Bloodbath
Title: Inanna at the Gates
Keywords: experimental female artist noise music usaworld Finland
Label: United By Chaoshttp://www.unitedbychaos.net/
Artist Website: http://www.denderabloodbath.com/

At first Dendera Bloodbath squeaks her ultimate power sounds in your ear like it’s a metal chainsaw going in full (but precise) overdrive! It feels like your head had been split in two, leaving it exposed for her other (more reasonable?) sounds-to-come,material that she will spill into your skull like a liquid brutal attack of Experimental origin. It’s all for the sake of science and experiment! How far can Dendera Bloodbath go? And what will drive you over the edge or please your ears tremendously? This artist seems to seek both extremities and wants to apply them both at the same time! Is that a pretentious project? It might be, but listening to her release it seems like this experiment works in full force!

She pours…

View original post 463 more words

Reblog Interview – Step Right Up: Ekin Fil

admin's avatarFRACTURED AIR

What I mean is music was a part of my growing up as a person and i want it to be that way always.”

—Ekin Fil

Words: Mark Carry

ekin17

PHOTOS BY ERİNÇ GÜZEL

Turkish solo artist Ekin Fil has been carving out some of the most breath-taking and beguiling drone pop explorations these past few years, inhabiting the deep, ethereal dimension of Grouper’s Liz Harris and navigating the deepest depths of the human condition in the process. On the latest opus ‘GhostsInside’ – released earlier this summer on Los Angeles imprint Helen Scarsdale Agency – an undeniable catharsis permeates deep within these recordings: fragile vocals shimmer gently amidst spare elements of piano notes or reverb laden guitar swells, creating utterly hypnotic drone pulses and far-reaching shoegaze deconstructions.

The opening ripples of bass piano notes of ‘LetGo’ hang in the air- an ocean of…

View original post 998 more words

Reblog – We Need No Swords podcast 27: Elizabeth Veldon

Featured Image -- 11624

Article Reblog – Gudrun Gut’s Monika Enterprise Label Turns 20

Review Reblog – Barberic Slapton – tonne

….and is also Today’s Discovery – Lo fi experimental noise.

kainobuko's avatarYeah I Know It Sucks

a2814987371_16
Artist: Barberic Slapton
title: tonne
keywords: experimental crunchy noise rage weird Hamilton

Barberic Slapton has brought the music that you ought to hear, material that Stockhausen would masturbate too and Einstein would pulls his nose hairs out with. With a strong pass in the legs the first one named ‘naptonne’ steps fiercely in. It’s like psychedelic fireworks to my ears, heels clicking on the terrain while rockets gets launched into the ether and submarines bubble around in electrified water… In other words; it’s abstract! But oh so mentally challenging the sensible corners of a person’s intellect… But wait, it gets even weirder… pardon, I mean; it gets even intensively better!

A track named ‘live at doors pub’ will pop in like a instant hellfire in which a panicked panic shouts at the hairs of your neck to stand up and bow to the noise! Barberic Clapton pushes us all to…

View original post 197 more words

Today’s Discovery – Memoir of My Manor by Gaël Segalen

 

Thanks to A Closer Listen I came across this new release. A supporter on Bandcamp referred to it as Kafkaesque. It’s challenging but not impenetrable, dark and rhythmic making this release danceable but with a difference.

Today’s Discovery #2 – Theda Hammel on Giving Sondheim the Synth Treatment

Sometimes you just come across something that makes you sit up and listen….

a1955567988_10

 

 

Focus Reblog – In the studio with Poppy Ackroyd

Let’s start at the very beginning. Can you tell us how you got involved in composing, and what was your very first piece of gear? My first piece of equipment was an Electro Harmonix 2880 super multi-track looper. It looks really simple but is surprisingly versatile. I wrote the original version of my track ‘Grounds’ […]

via In the studio with Poppy Ackroyd — Headphone Commute

 

Here’s another article about the composer Poppy Ackroyd and the methods and tech she uses in the studio to create her music.

Reblog – Duologue: A Conversation with Poppy Ackroyd — Stationary Travels

 

 

With her 2012 debut ‘Escapement’, Brighton-based composer Poppy Ackroyd entered the same rare air as such esteemed innovators of modern classical and electronic music as Nils Frahm and Hauschka. Classically trained on violin and piano, she creates utterly mesmerizing music by manipulating and multi-tracking sounds primarily from these two instruments in sometimes unconventional ways, an approach […]

via Duologue: A Conversation with Poppy Ackroyd — Stationary Travels