(une version française de cette entrevue ici) Line Katcho works in the fields of acousmatic music, audio visual work and film music. Her primary concerns involve using sound as kinetic matter, representing movement, forces and gestures. Her need for precision is complemented by an experimental approach and a strong interest in perceptual play. She is […]
via An interview with Line Katcho for the album “pulsions” (2015) — K O H L E N S T O F F
Liz Helman is a London-based artist and independent curator working across different media, including sound, video, photography and painting. In her time-based media works she explores the psychological and emotional attachment to place and dwelling. Journeying between recollection and reality, she challenges format driven orthodoxies, fragmenting and layering image and sound to consider the experience […]
via An INTERVIEW with LIZ HELMAN for the album “The Truth Inside” — K O H L E N S T O F F
In her slabs of feedback and noise, Mawartyassari—aka Monica Isabel Sanchez—seeks to find beauty in chaos.
via Tissa Mawartyassari’s Harsh Noise Compositions Are Sonic “Ghost Stories” — Bandcamp Daily
Monique Jean | Troubles empreintes DIGITALes (CD/DL) Montréal-based composer Monique Jean offers two works on Troubles: T.A.G. (2013) and Out of Joint (2009). This is her third full-length effort with Canadian imprint empreintes DIGITALes, was mastered by Christian Bouchard. Let’s get started with T.A.G. – or (trottoir, asphalte, goudron: sidewalk, asphalt, tar), watch your step […]
“This record is extremely fluid, more than any other record I’ve made,” Holter says.
via Julia Holter’s “Aviary” Is an Experimental Opus Inspired By a Dystopian Film — Bandcamp Dail
Klara Lewis & Simon Fisher Turner | Care Editions Mego (12″/DL) Care is a rare hard/soft edge collaboration, one that is instantly compelling in its ambient nature and soft vocalese, and a shock to the system with its sizzling electronic effects. British composer Simon Fisher Turner and Swedish sound artist Klara Lewis come together is […]
via Care by Klara Lewis & Simon Fisher Turner — The Future of Music Today
Recent listening on a recommendation –
Artist: Elizabeth Joan Kelly title: Music for the DMV keywords: experimental ambient classical collage electronic industrial instrumental trance New Orleans website: https://elizabethjoankelly.com/ Melancholic electronica comes at ya, when letting the music for DMV by Elizabeth Joan Kelly into your head and mind for a pretty unusual but wonderful listening session. Before we know it, the […]
via Elizabeth Joan Kelly – Music for the DMV — Yeah I Know It Sucks
The artist explores the unrest in her home country of the U.K.—and develops a new stage persona to match.
via Gazelle Twin’s Edgy Electronic Music is Fueled By the Current Moment — Bandcamp Daily
I first knew of Kusum Normoyle because she was the woman who dressed completely in black—black shirt, black pants, black shoes—and screamed, really loudly, in public spaces. She was untouchably cool. But more specifically, these series of performances were called S.I.T.E. (Screaming in the Everyday), where Normoyle would scream into a microphone, her body curved […]
via Kusum Normoyle Interview: “What else the voice might do” — Difficult Fun
Great series Hidden Gems and this is a real gem, especially when you realise how it was created..
“ First released in 1994, deleted for around 20 years now! It had uninspiring track titles but that’s what it was like in 1994. All composed pre-multitrack era – on an Amiga 500 computer tracker program with an 8-bit sampler (Technosound Turbo – cost 28 pounds!) and a bunch of willing friends. Original cover is a 12 inch square paper collage.”
A sound collage work that will warp all perceptions of reality.
via Hidden Gems: People Like Us, “Lowest Common Denominator” — Bandcamp Daily
Feminatronic 
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