Some salient points in this video and food for thought.
Courtesy to Gavana and Anaya.
Some salient points in this video and food for thought.
Courtesy to Gavana and Anaya.
Thought that I would highlight books as I came across them on my travels and this would be a slightly different place to start. The review can be found here –
https://dj.dancecult.net/index.php/dancecult/article/view/485/464
Also, discovered the website Dancecult so thanks to Gavana and Anaya for this discovery.
Really in depth look at the work of Kate Carr here. Courtesy to A Closer Listen for the reblog.
Sound Propositions is an ongoing, semi-regular series of conversations with artists exploring their creative practices and individual aesthetics, conceived of as a counter-narrative to a dominant trend in music journalism which fetishizes equipment and new technologies. Rather than writing copy that can just as easily have come from a press release or a catalog, this series tries to take the emphasis away from the ‘what’ and shine light on the ‘how’ and ‘why.’ You can find the previous eight interviews, as well as additional articles and features, here.
There’s a school of thought amongst field recordists that favors alienating oneself from the provenance of one’s recordings in order to hear the recordings with fresh ears, and to better respond to the sound as a material object (or sound object) in itself. This practice can make the reduced listening preached by Pierre Schaeffer and other musique concrète composers easier…
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I’ve organised a Rasberry Pi streaming workshop for Radio Arts happening on the 26th June at Horsebridge Arts Centre full details at http://www.youarehear.co.uk/radioarts/workshops/
Ora 22: F.M.R.L. / reFMRL 3
Daniela Cascella and Salomé Voegelin, with the guest voices of Aya Kasai, Clodagh Simonds, Helena Hunter, Joanne Lee, Patrick Farmer.
8pm, Thursday 25 June
Resonance 104.4FM
This episode of Ora is the 3rd in the reFMRL series, that challenges the conventional format of the book launch to work instead with the book as material presence, and to enhance the polyphonies that inhabit and form Daniela Cascella’s new book F.M.R.L. Footnotes, Refrains, Mirages and Leftovers of Writing Sound.
On this occasion, Salomé Voegelin has responded to F.M.R.L. through a series of questions and by selecting excerpts read in the studio by both herself and Cascella to prompt a conversation.
Their voices are joined by those of guest readers, that punctuate the conversation throughout.
Aya Kasai is a researcher currently based in Oxford, UK. With a background in clinical and phenomenological psychology, her fascination lies in…
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Courtesy to Ekho: Women in Sonic Art for Todays’ Discovery Genevieve Calame and here is some more –
:::::::::::: Ekho :::::::::::: Women in Sonic Art

“During the 1970s, classically trained Swiss composer Geneviève Calame (1946-1993) worked at Geneva’s Studio de Musique Contemporaine, where she composed various electronic music compositions likeL’Oiseau Du Matin (1972) or Geometry I, II, III (1975-1976). She was the co-founder of the Artistic Research Team, or A.R.T., in 1971, working on intermedia projects including video and new technologies. Created in the A.R.T. studio in 1976, Labyrinthes Fluides, is based on the EMS Spectron video sythesizer. allowing sound waves to generate pictures and movement.” Continuo
Courtesy of A Closer Listen.
Those who only know Peter Kutin from last year’s excellent sound collage Burmese Days may be surprised at the sound of the new label founded by Kutin and Peter Kindlinger. Only one of the first two releases is field recording related, and even the untreated Decomposition morphs into an electronic work by the time it has ended. But only a few years ago, both were part of the quartet dirac, whose drone-like, single-track album Phon is still one of our favorites. In Kutin / Kindlinger / Kubisch, the participants’ names are no longer obscured. The label’s other preliminary project, Ventil, hides the names of drummer Katharina Ernst and visual artist Conny Zenk, but we suspect it would have been confusing to call the quartet Kutin / Kindlinger / Ernst / Zenk.
This latter trio is responsible for the label’s first release, a wise move as the name of the…
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I’m helping commission this fantastic open call for #audioportraits of Exeter for Phonic FM, Full Details here http://www.phonic.fm/rugbystories
Deadline Friday 12 June 2015
Deadline Time: 5pm
Budget 750
Phonic FM posts open call to artists
This September and October, England will host Rugby World Cup 2015. Three of the tournament’s matches will be played at the Sandy Park ground in Exeter.
With support from Exeter City Council, Phonic FM is inviting proposals for original creative audio portraits of Exeter and its communities, in some way exploring the reach and influence of the Rugby World Cup 2015 matches in the city.
These hour-long works will be broadcast on Phonic FM around the time of the matches at Sandy Park. They will also be posted online, shared with other broadcasters and deposited for posterity with various libraries and archives.
Four works will be commissioned. A fee…
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Something Different for the Sunday Mix today.
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