This is challenging experimental music but the review gives you a very good idea of the release . Well worth a listen and Selma Raziel is my discovery today thanks to Yeah I Know it Sucks.
The first track on this album is named ‘parasomnie’ and transports us instantly inside a boiler room in which an avant-garde orchestra made out of rhythmically played boiler equipment and goose like chattering sounds, forms the music backdrop of Selma Raziel’s spoken word.
tchnął ducha’ begins more soft, as if the artist is stroking her both hands together to form a rhythm, while the legs are playing with some stuff that has been lying on the floor. With this sound situation Selma sets a very close and intimate atmosphere which she only enlarges by singing and talking softly in your ears.
With ‘dokąd zdąża teraz ‘the artist let listeners experience the full bennefits of focusing her music in a stereophonic way. Both left and right ear are being assigned to…
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