Call for Papers
Histories, Theories and Practices of Sound Art
May 15 – 16 – 17, 2014
Venues: Goldsmiths, University of London, May 15 and 16, 2014;
The Courtauld Institute of Art, May 17, 2014.

http://ocradst.org/soundartcurating/

Traditionally, the curator has been affiliated to the modern museum as the persona who manages an archive, and arranges and communicates knowledge to an audience, according to fields of expertise (art, archaeology, cultural or natural history etc.). However, in the later part of the 20th century the role of the curator changes – first on the art-scene and later in other more traditional institutions – into a more free-floating, organizational and ’constructive’ activity that allows the curator to create and design new wider relations, interpretations of knowledge modalities of…