All posts by Feminatronic

I am an electronic musician who, as someone recently said to me, set up Feminatronic to act as "soft PR" for female electronic artists from all genres and styles. If I can give a little helping hand then why not?

CFP: Sound Art Curating Conference

a closer listen


We’d like to draw your attention to the following Call For Papers.  Go here for the full information.

Histories, Theories and Practices of Sound Art

Call for Papers
Histories, Theories and Practices of Sound Art

May 15 – 16 – 17, 2014
Venues: Goldsmiths, University of London, May 15 and 16, 2014;
The Courtauld Institute of Art, May 17, 2014.

Traditionally, the curator has been affiliated to the modern museum as the persona who manages an archive, and arranges and communicates knowledge to an audience, according to fields of expertise (art, archaeology, cultural or natural history etc.). However, in the later part of the 20th century the role of the curator changes – first on the art-scene and later in other more traditional institutions – into a more free-floating, organizational and ’constructive’ activity that allows the curator to create and design new wider relations, interpretations of knowledge modalities of…

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Apologies for the late post but somehow the time zones got mixed and it didn’t post when I wanted it to but better late than never


It occurred to me that not everyone is on Facebook and often there are interesting news items that come up on the Feminatronic Connect Facebook page that not everyone can see. So I thought that I would have the occasional posts that grouped together some of these items and hopefully bring them to a wider audience. So here goes..


entropy : Louise Mackenzie

As part of her first solo exhibition, transformation content, at The Holy Biscuit Gallery, artist Louise Mackenzie broadcasts a composition that explores the relationship between human social behaviour and the scientific construct of entropy.

Entropy is a sound installation that begins with physical objects, is transformed into a live performance and then ends as a digital entity, broadcast daily on and into the gallery space until the close of the exhibition.